Reborn lady my biggest

Chapter 253
Musen and Yetina's studio is in the basement of this building.

Unlike the rest of the villa, this is locked.The keys are usually kept by Olsen himself, and will only be handed over to Dennis the housekeeper when he is out.

Fortunately, Perot met Dennis tonight, otherwise, he would have to work hard to enter the basement smoothly.

Due to the undulating terrain of Olsen Manor, several villas were built on high ground.So even though it is called the basement, it is actually equivalent to the first floor of a residential building. In addition, the villa on the left is facing the sun, and there are no tall trees around it, so it is even on a cold night.The basement still smelled of the afternoon sun.This is why Ye Tina, who is very good at living, chose the basement as her studio.

Compared with the luxurious decoration in the villas, the basement is simply rudimentary.The tools that Musen was responsible for polishing the diamonds, as well as the various pens and papers that Ye Tina used to draw the design drawings were all laid out on two long thick maple wood tables.

In addition, under the long table, there is also a container like an incense burner, which contains pine charcoal for dehumidification.

Perot walked to the long table and flipped over the paper covering it. On the table was still an obscure portrait drawn by little Perot.In Perot's memory, there is not much impression of this studio.

"Everything here remains the same," said the old butler, lighting up the green-shelled work lamp.More than ten years ago, the earl and countess produced and designed the world-famous "Munson's Blessing" here. At that time, the Munson family might not be as rich as it is now in Europe, but no one has to admit that, At that time, the reputation of the Musen family could not be bought with money.

"Is the blueprint for that set of jewelry still here?" Perot looked for it on the desktop.The layout of the studio still maintains the original style, so are those few design drawings still here?

Butler Dennis and Perot searched together. They searched the entire studio, but they didn't find those few design drawings.

"I remember that the design drawing was designed by Ye Tina. She likes to use charcoal to draw hand-painted, almost without any modern tools." Next to the shell work lamp, the situation is carefully drawn.This memory is very clear, so clear that Ye Tina lost a few forehead hairs unknowingly because she was immersed in her work, and he could count them clearly.

"Yes, the Countess doesn't like to use tools such as compasses or rulers. It takes a long time to draw manuscripts every time. Every manuscript of hers is an orphan." Dennis still remembered Musen's blessing On the night when the work was finished, the countess, who was in high spirits, would knock on the door of her room regardless of the count's objection, just to let him find a bottle of wine for celebration.

"Such manuscripts should not be thrown away at will," Perot believes that Olson, who also runs the jewelry business, will not easily destroy those precious manuscripts.

In fact, Perot is also very skeptical, given Olsen's status and wealth today, why would he collect "Msen's Blessings".Colored diamonds are rare, but Olsen, who has a huge amount of diamond mines, should be able to find suitable diamonds and recreate a "Mussen's Blessing".

"Master, no one has ever touched a piece of paper in this studio," Dennis assured, and he turned out a few pages of blank paper that had begun to turn yellow, "Look, even these papers are It was left at that time, and no one has ever touched it."

Perrault recognized the papers, too.Different from the new modern paper, the old paper will be darker and yellower than the new paper, but its inking and toughness are much stronger than the modern paper that has been fumigated with a lot of sulfur.

"Wait," Perot took the dozens of pages of old paper.These papers must have been used by Ye Tina all the time, so there are countless pen marks on them.Ye Tina's brush strokes are very strong, even if there are many pages of paper, the pen marks on the original drawing paper can still be seen through.

The design drawings of Musen's blessing were stacked together, and it was no longer possible to accurately distinguish the design graphics on each sheet of paper.But the handwriting on it, there is a neat row of handwriting, from the upper left corner of the paper to the lower left corner, a full eight lines of characters.

Perot turned up the light of the green shell lamp, while Dennis carefully watched the outside, guarding against the sudden passing of security guards or others.

"Msen's blessing," Perot's voice lost his usual composure because of the excitement. He felt some discomfort in his throat, a feeling of choking, welling up.

"Red love is passionate; Orange love is desire; Yellow love is reborn; Green love is fame; Blue love is independent; Blue love is revenge; Purple love" is written here, it seems that the person who wrote it has suddenly pulled back and can't see it. Cleared up.

"These are not Yetina's words," Perrault said, putting down the stack of papers, which were in Musen's handwriting.The atmospheric and wild writing belongs to Musen.

The jewelry picture designed by Ye Tina, and the blessing written by Musen, they seem to be Musen's evaluation of himself, but in the end, what Zizhilian wants to explain.What is the final definition left by Musen for this set of "handed down works".

Pero sat down, between the work tables of Musen and Ye Tina, his hair was caught in his hands, and his eyes were fixed on the paper.He wanted to know his father's attitude towards Ye Tina in the end.

The vengeful Lan Zhilian was put at the end. Could it be that his father made the same choice as him?

The lights of the left villa looked a bit abrupt in the dark night.While Perot was meditating, the lights in a room somewhere in the main villa were also lit up.

Su Zi never thought that she would wake up in the middle of the night.She slept soundly, but suddenly there was a sharp pain in her head, and then she woke up.

She turned on the light casually, the strange room, the strange mattress, even her figure reflected on the wall by the light looked so strange.

Everything in the room made her feel very uncomfortable. These villas looked a little cold at night.

Su Zi once pulled off the brand new nightgown, put it on her body, and opened the door. She walked outside Perot's room, thinking whether to wake him up.She actually had a lot to ask Perot.

She always felt that Perot would be more frightened than she was in this room.

After the hand fell, there was no knock on the door, and the door opened gently. The room was full of night and empty.

(End of this chapter)