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Chapter 160
"This is the first clue I got."

As he said that, he also showed the clue of the painting of Qinglian in front of everyone.

"Qinglian, at the beginning my direction was towards all of you's preferences, or whether you have played a similar representative role. It wasn't until I went to the studio and saw a few paintings that I realized that I was thinking in the wrong direction at first. .”

This program is full of clues and traps everywhere, the purpose depends on whether you are careful or not.

"There are several pictures of ancient beauties in the studio. If you don't pay attention, you may think that they are just words from the studio, but I found something special about two of them."

As Ji Rong's voice fell, the staff member holding the painting also came over.

"This is the notebook I picked up among the scattered things when the victim fell to the ground."

I saw the book spread out, with a lot of words written on it, "Huanfeiyanshou" is also among them.

"I haven't figured out what the other words mean. Maybe the victim deliberately wanted to interfere with the murderer's sight, but there is something special about the four words "circle fat, swallow thin"."

From the painting to these four characters, Ji Rong also confirmed his speculation.

""Huanfeiyanshou" means that women are beautiful in different shapes, but there is a sentence below it, each has its own merits, and this sentence also represents two people, one is Zhao Feiyan and the other is Yang Yuhuan."

From this, we can also understand why the victim wrote the word "concubine" at the last moment.

Because the two of them are the emperor's women.

"Zhao Feiyan, the queen of Emperor Hancheng of the Han Dynasty, Zhao Hou has a slender waist and is good at walking. If a person holds a flower branch and trembles, others can learn from it." "Zubu" was originally created by Zhao Feiyan. His hands tremble like flowers, and his body moves like the wind, which shows his profound dance skills.Zhao Feiyan also created the "hand dance", also known as "hand dance", because the dancing body is light, as if it can be placed in the palm, so it got its name.After this dance became a unique symbol of Zhao Feiyan, Yang Yuhuan, a court musician and dancer of the Tang Dynasty.Both of them have a very obvious identity, dancers. "

After the words fell, the eyes naturally fell on Mi Xiaole and Gao Jiangyan.

At first they drew dances, dancers—dances.

Then the identity is ready to come out.

——6666, this analysis, full marks
——Is Ji Rong so knowledgeable?
——This brain hole, yes
——Just relying on the word 'concubine', so many clues have been released, awesome
"Why is it not the concubine she acted in, but the status of an ancient concubine? Would it be hasty to make a conclusion based on the word 'concubine' alone?"

Mi Xiaole on the side couldn't help but refute.

"Well, you're right, the word 'concubine' alone is not enough to make a conclusion, so Qinglian is the key."

Just relying on the word 'concubine' is not enough for him to really think of so many things.

"Li Bai, courtesy name Taibai, nicknamed Qinglian Jushi, also known as "The Immortal", was a great romantic poet in the Tang Dynasty, and was hailed as the "Poetry Immortal" by later generations. Qinglian represents him Li Bai."

It is precisely because of this speculation that all subsequent reasoning becomes reasonable.

"In Li Bai's usual poems, there are two poems [A branch of red and dew condenses fragrance, clouds and rain and Wushan are heartbroken. May I ask who is like the Han Palace, poor Feiyan leaning on new makeup.] This poem refers to Zhao Feiyan, [ Yun thinks about clothes and flowers and thinks about Rong Yun thinks about clothes and flowers think about Rong, and the spring breeze blows through the threshold to reveal Huanong. If you don’t meet at Qunyu Mountain, you will meet at Yaotai.] This poem refers to Yang Yuhuan.”

This is why he will be so sure later.

(End of this chapter)