Chapter 47

Kary's speed was very fast, and he got an audition opportunity for the crew of "Gong Sha: Biography of the Concubine" the next day.According to what Kary heard, the main roles in the biography of the concubine are almost decided, what is missing now are some concubines, princesses and court ladies who don't have a lot of roles.And the crew also intends to let some newcomers play those roles, so a lot of actors are still needed
Liang Muyun looked at the undetermined list, and then recalled the plots she had watched in her previous life. She had a few favorites. Those characters were not the protagonists, but they were also indispensable roles in the play and also tested their acting skills. Can't act.

When she had no part to play, she auditioned for the cast of "The Legend of the Concubine Ling".What made her very helpless was that she told Kary repeatedly not to tell Tan Chengxi about it, but she still told Tan Chengxi about it. Tan Chengxi knew it and said hello to the director in advance.

Some people want to make things difficult when they see a relationship, or try it out. The director of Ling Feichuan is like this. The scene he auditioned for Liang Muyun was the most difficult of all the auditions.

The director of "Gongsha: The Legend of the Concubine" is Jiang Zhengyuan. He has a high reputation in the industry, and his previous TV dramas have achieved considerable success.Liang Muyun had never worked with him in his previous life, so he couldn't figure out his temper, so he exchanged some polite words with him, and started studying the script.

In fact, the scene given to her was a bit difficult for newcomers, but it was normal for old people, and she can be regarded as an old man. She only watched it twice, and after a while, she could probably act it out.

What Jiang Zhengyuan asked her to play was a concubine, first she acted the arrogance when punishing the court lady, then she played the pitiful one when being punished by the emperor, and finally the despair when she was thrown into the cold palace.

It wouldn't be too difficult if they were performed separately as they were during filming. The difficulty is that Jiang Zhengyuan asked her to perform all three of them at once, and performed them at intervals of a few minutes.This tests the actor's conversion ability, and it also depends on whether the actor can grasp the emotions of these three scenes.

Although Jiang Zhengyuan intended to test Liang Muyun's acting skills, he also gave her enough time to figure it out.She didn't tell Jiang Zhengyuan until she felt that it was almost done.

What she is performing is a process, a process from prosperity to decline. She has personally experienced this process in her previous life, and the acting is very smooth.

Taking a deep breath, Liang Muyun began to perform the scene of punishing the court lady, that haughty appearance did not seem to be acting, and that look, as if she was born to be a concubine who likes to be favored and proud.

As soon as the scene changed, Liang Muyun quickly put away his haughty look, blinked his eyes, there were tears in his eyes, combined with that pitiful expression, it was as touching as it could be.The pitiful appearance is very pitiful.

The scene changed, and the expression on Liang Muyun's face changed from pitiful to sad, and she quickly wiped away the tears, her eyes were dull, and she looked forward in despair.

The whole process left the onlookers stunned. This acting skills, how can a newcomer compete with those old actors.Jiang Zhengyuan was also dumbfounded. He originally said to ask Liang Muyun to adjust for 10 minutes after finishing a scene before continuing to act, but she didn't rest at all, so she just adjusted for 2 minutes before continuing with the next scene. He grasped it very well.

Liang Muyun also intended to impress Jiang Zhengyuan and change his view of her, so he put a lot of effort into it.When she was acting, she was imagining her past life experience while acting, and her emotions naturally came quickly, but she was very tired after the performance.

(End of this chapter)

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