The legend of rebirth

Chapter 87
"Song Yan's song "Jiangnan Chunxue" has been completed. We can already see from the enthusiastic response of the audience that her performance in the first round tonight is so outstanding." Ou Ning said.

"However, in order to finally confirm whether her song tonight is a success, we must invite our three professional judges to score her performance this round."

"Sister Mai, should you come first?"

"Wow!" Mai Ruina couldn't wait to say, "Song Yan is really beautiful. This song gives me the feeling of beauty. The beauty of the people, the beauty of the scenery, the beauty of the singing, and every detail of her on stage makes me feel so beautiful. I am intoxicated.

If I were a boy, I would definitely pursue her crazily.I am not familiar with her vocals of the verse and chorus, but the effect of her singing made me admire.

Now I finally know that Chinese pop music can have so many Chinese elements, and China's 5000-year splendid culture is like an inexhaustible treasure trove of pop music, which makes me very envious. "

"Sister Mai, please give me points."

"94 points."

"Okay, Miss Deng, it's your turn."

Deng Qi smiled slightly, and recited a poem: "You were born before I was born, and you are old when I was born. You hate me for being born late, but I hate you for being born early. I believe everyone knows the origin of this song. Saibei's A gifted scholar, a beauty in the south of the Yangtze River, who has no destiny but is heartbroken by her poignant beauty."

Speaking of this, Deng Qi changed his words: "But the artistic conception of this song itself is not poignant, but optimistic and prosperous. In the snow-capped Jiangnan water town, there is the hope of spring.

Song Yan's handling of this song was very successful.

In this song, she mainly uses the popular singing method, but the main song adds the ending of the opera and the chorus, and incorporates the national singing method.These two kinds of grafting or compatibility are actually very difficult, and Song Yan has done it impeccably.

What's even more rare is that she can take care of the whole stage while singing.

Her standing posture, the gesture of holding the umbrella, the position of the umbrella, and her eyes are actually changing all the time, and they are seamlessly integrated with the background.This song of hers is like a picture scroll, slowly unfolding in front of us, with distinct layers and magnificent beauty. "

"Sister Deng's evaluation is very high, so what is the specific score?"

"95 points." Deng Qi said.

"Wow, another 95 points, this is the second 95 points today. Teacher Yan, what do you think?"

The camera showed a close-up of Yan Wuji's face, and then the audience all over the country found that Yan Wuji was actually smiling.

"Lord Yan laughed? Am I dazzled?" Zu Shaoyuan beside Ye Luo rubbed his eyes, as if he didn't quite believe the scene he saw.

On the stage, Yan Wuji smiled and said: "The adaptation of an ancient song is difficult because of people's deep-rooted impressions. Song Yan's "Jiangnan Spring Snow" is undoubtedly a subversion of tradition. The element of adventure. But I personally think that if tradition is good, it needs not only to be inherited, but also to be carried forward.

The so-called inheritance is to copy it as it is, and to carry it forward, it is necessary to make some changes according to the new environment to make it easier for people today to accept.The adaptation of this song, in my opinion, is a kind of promotion of traditional ancient songs.

"Spring Snow in the South of the Yangtze River" is included in school texts. Anyone who has been to school knows this song.

But now no one sings this song in karaoke, why?Because the whole song is 43 minutes and [-] seconds long, and there is only guzheng accompaniment, the melody is beautiful, but it seems monotonous, and young people certainly don't like it.This is the disconnect between tradition and reality.

Then the adaptation of Song Yan's song has great significance.

The most important thing about a song is not whether it is included in the text, but how well it is sung among the people. This is where the vitality of a song lies. "Snow Lotus in Tianshan" and "Spring Snow in the South of the Yangtze River" can span thousands of years and become familiar to us because of their popularity.But today, the popularity of these two songs is declining, which requires us musicians to make changes if we want to inherit the ancient Chinese songs.

So tonight's "Jiangnan Spring Snow" is undoubtedly a success.I would like to thank the adaptor, who gave a thousand-year-old song a new vitality.So Song Yan's score will break through my 90-point cover standard.

When Yan Wuji said this, he paused, and Ou Ning immediately received: "Teacher Yan, please give points!"

"I haven't finished yet." Yan Wuji glanced at Ou Ning lightly.

Ou Ning was in a cold sweat, and said quickly: "Then you continue."

Yan Wuji continued: "If you look at it from the professional perspective of the adaptation, this song is very good, but there are still minor flaws. It may be because of the time limit for the singers on stage that the chorus of the verse of this song is two In this part, the transition part is a little hasty, which makes Song Yan's two completely different vocals too close, and the integrity is somewhat lacking.

This problem is easy to solve. There are two solutions: first, the transitional accompaniment should be extended by another 20 seconds. Second, Song Yan's chorus should be changed gradually. I believe that with Song Yan's singing skills, the problem is not big. "

Yan Wuji's words made the neighbor Ye Luo nod his head.

This paragraph hits the point, not only hits the nail on the head, but also proposes a solution.

As expected of an old man, he has a lot of experience!

After all, it's not the melodies from another world in my mind, the arrangement of Ye Luo's song is completely based on my own arrangement skills.

If Chu Mo'er's performance plan had songs from another world added, then for Song Yan's guidance, Ye Luo was completely relying on her own musical quality.

After appreciating the beautiful melodies of another world, Ye Luo's music quality has indeed improved rapidly, but if he wants to be perfect, it's impossible for Ye Luo to think about it, so he can only do his best.

"So, what is Teacher Yan's final score?" Ou Ning asked.

"92 points." Yan Wuji said.

"Alright, the average score of the professional judges is 93.67 points. Let's take a look at the scores given by the public judges. Please raise your placard."

"This time the public judges gave a high score of 91 points!"

"Song Yan's final score was 184.67 points! With a slight advantage of 0.34 points, she surpassed Xiao Qiong and is currently ranked first!"

This result made Ye Luo feel a little relieved. Chu Mo'er was not worried at all about this match. What he was worried about was Song Yan. good.

"The next one to be on stage is Yu Yiyi, a music elf from Lingnan. She will continue to bring her original songs tonight."

"We applaud, please!"

In the producer's room, Zu Shaoyuan asked, "What's the theme of Yu Yiyi's original work tonight?"

Yu Yiyi's music director shrugged: "It's the same, bitterness."

"Isn't it? Didn't the effect of singing bitterness in the last round not be good? This girl doesn't know how to change it?" Zu Shaoyuan was puzzled.

"Hey. You don't know. I'm currently the music director in name, but I can't get involved in Yu Yiyi's songs at all. This kid sings and sings, and has more small ideas than anyone else. In terms of the overall effect, give some opinions, and then she may not necessarily adopt them."

"The little girl is a bit arrogant."

"She is indeed very confident, but what I cannot deny is that she does have the capital of self-confidence. Later, I figured it out and simply let her develop freely."

"How about her original song tonight?" Zu Shaoyuan asked.

"Better than the last "Lonely Boat"."

Accompanied by the words of the producers around Ye Luo, Yu Yiyi appeared on the stage holding a guitar.

(End of this chapter)