Chapter 115

In the camera, A Juan smiled foolishly and didn't do anything, but that delicate beauty disappeared all of a sudden. How can I put it, she is still beautiful, but no one pays attention to her appearance.

The police officer said: "Physical fitness, shooting, police rules, and Chinese and English are all unqualified."

The police officer said: "You should thank yourself for entering the school when the police force was seriously insufficient."

The police officer said: "Your serial number is 11166, and you will be sent to the Serious Crime Unit of the Tsz Wan Shan Police Station...the Lost and Found Registration Office opposite."

A Juan was pleasantly surprised, A Juan was ashamed, and A Juan was disappointed. They saluted and stamped their feet, and finally turned into a stupid smile.It's like a vibrant grass, the wind slaps it, it's okay, at least it's not hail.

Then there was the handsome police guy who was passing by YY while sitting at the lost and found registry with my aunt and colleagues.

Jiang Lili laughed out of nowhere, and the corners of Cheng Lin's mouth couldn't help twitching.

The script is certainly funny, but Ah Juan's acting skills are also very good.Gu Xiang is famous for her tragic role. There is actually a certain gap in getting out of the fixed image created by this role, because "Qi Hou Zhuan" has not finished much, and in the eyes of everyone, she is still the cannon fodder Princess Shen.

But the one in front of me now, without any trace left by Princess Shen, is a completely different person, a carefree and nonsensical image of Cinderella.

Jiang Lili smiled, and gradually stopped smiling.

From the audience's point of view, a good comedian is one who can make people laugh.But from an actor's professional point of view, the meaning of representation is different.It is very difficult to completely break away from the previous role.Actors will have some inherent small movements more or less. When performing completely different roles, these habits cannot be changed all at once.

When Gu Xiang was acting as Concubine Shen and Aijuan, even the small movements she was used to were different.The audience can only see that she is playing a different person, but how difficult is it for the same person to make people cry and laugh at the same time?
The reporters didn't understand yet, but the professional actors on the set gradually fell silent.

If it is an old actor who has been immersed for many years, this is not a big deal.But the one in front of her was just a newcomer in her early twenties. Before this, she had never acted in a movie. Apart from her extraordinary talent, it was really hard to describe this situation.

"Klaus," Tang Rui said, "I take back what I just said, she is very experienced."

Very experienced performed another person.

The first act of testing the waters actually went very smoothly, just because I was not familiar with the environment and NGed it two or three times, and the effect was very good.

After resting for a while, Tang Rui said: "In the end, you play against her, first practice your sense of tacit understanding, this time your roles are different. Find out how you feel."

Although Ye Miao CP is very popular, it is all made up by the audience themselves. In addition to the screenwriter's indistinct sugar, everyone will put the two together for a while mainly because of their good looks.But in "The New Junior Sister", it is a serious couple playing a couple.

As for the matter of acting as a couple, sparks probably still need to be sparked. In "Biography of the Queen", the two leading actors did not spark sparks, but this kind of light chatting CP fire is enough to see the trembling M in the audience Attributes.A big wave of candy came and everyone applauded.

The pressure is super!

Gu Xiang is very stressed. In her previous life, she was a stupid woman who was dazzled by love, and she played the nympho girl very well.In this life, she has been a mature woman who "has no good things for straight men". Playing such an innocent girl not only feels a lot of shame, but also a kind of self-denial.

(End of this chapter)

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