The videos I watched became popular in ancient times

Chapter 226 Watching CCTV Spring Festival Gala

On New Year's Eve, Su Chen had New Year's Eve dinner early.

I usually have nothing to do in the evenings, so I just watch the CCTV Spring Festival Gala to pass the time.

Su Chen originally planned to go back to his room to watch the Spring Festival Gala alone, but then he remembered that the ancient people of various dynasties had not seen a large-scale gala, so he thought that he would also let the ancient people of all dynasties take a look at the Spring Festival Gala, which is a must-see every New Year's Eve in Greater China.

After returning to the room and seeing that the time was almost up, Su Chen turned on the live broadcast.

When the anchor appeared on the sky screen, ancient people from all dynasties were stunned for a moment.

Everyone thought that the anchor would go home and be busy celebrating the New Year and might not be able to broadcast live anymore. Unexpectedly, the anchor suddenly started broadcasting at almost 8pm, catching everyone off guard.

After the anchor started broadcasting, the ancient people from all dynasties who got the news rushed out of the house to see what was going on.

"Good evening everyone, today is the New Year's Eve of our future generations."

"Generally on New Year's Eve, most people across the country will watch the Spring Festival Gala."

"Now the Spring Festival Gala is about to start. The anchor will watch the Spring Festival Gala with everyone to celebrate the New Year together."

Therefore, seeing such a grand scene for the first time shocked every ancient person from all dynasties.

He could vaguely see that the opening encouragement was not just a drumming performance, but also displayed the spiritual identity and cultural essence of Chinese civilization.

The first Spring Festival Gala program to appear at the Kashgar branch venue in Xinjiang, "Inspiring the Dragon", made Su Chen's eyes light up and he couldn't help but look forward to this year's Spring Festival Gala.

Seeing the busy figures of the artists backstage, ancient people from all dynasties remembered a saying at this moment, one minute on stage, ten years of work off stage.

Then, the camera switched to backstage, showing the actors' hard work in order to give the audience the best performance.

After all, the Spring Festival Gala in later generations is a national-level gala. If you want to perform on stage, you can imagine how difficult it is. You must choose the best artists in the country to perform.

He saw innovation in this performance, which is also a point emphasized in this year's Spring Festival Gala.

From the beginning, Fan Wei’s voice was like a magic force, bringing everyone into the wonderful world of the Spring Festival Gala.

Accompanied by the well-known melodious music, the stage seemed to unfold a picture of the ancient and modern Silk Road.

At this moment, the emotions of the audience at the Spring Festival Gala were also pushed to a climax, with applause and cheers one after another, welcoming the new year together.

But I have to say that after watching the short video just now, the speaker successfully aroused their expectations and enthusiasm for the Spring Festival Gala with his humorous interpretation.

On the undulating sand dunes, accompanied by the crisp sound of camel bells, the time camel team traveled through the desert and Tianshan Mountains, outlining a road for trade and civilization exchanges.

"The Spring Festival Gala is a comprehensive artistic evening hosted by CCTV on New Year's Eve every year to celebrate the New Year."

After Fan Wei's short film ended, the first program to open was "Inspiring the Dragon".

With the eager anticipation of ancient people from all dynasties, comedy master Fan Wei used his unique voice to bring you a super funny opening short film "Our Spring Festival Gala".

Although they had already guessed that the Spring Festival Gala performances would be very exciting, the excitement of the first opening program was far beyond their imagination.

Those funny sketches, beautiful songs, and touching performances were all skillfully connected by him to form a delicious Spring Festival Gala dinner.

He doesn't have any expectations for tonight's Spring Festival Gala, he just hopes that there won't be embarrassing programs like "First Meeting Photo Studio".

Li Shimin: Anchor, is the Spring Festival Gala you just talked about like the last one at your school?

"This is different. The party that the host showed you last time was only organized by our college, but the Spring Festival Gala that is about to start is a national-level event. The two are not at the same level at all."

Ancient people from various dynasties were a little confused at first. Didn't they agree that the Spring Festival Gala would be a song and dance performance? The beginning doesn’t look like some kind of song and dance, does it?

It wasn't until the camera switched to the artists backstage preparing to appear that the ancients realized that the short video just now was just an appetizer, and the real show began now.

They had never seen such a gorgeous stage, nor had they ever seen so many performers giving powerful drumming performances.

But in recent years, the Spring Festival Gala has become more and more boring. The programs are not very exciting and cannot make people laugh.

Eastern and Western civilizations gather here, the cultures of various ethnic groups learn from each other and integrate, and tradition and modernity echo each other.

After listening to the anchor's explanation, ancient people from various dynasties showed expressions of joy. Isn't this similar to when they went to a temple fair to watch lively performances?

Every New Year, they also organize large-scale temple fairs so that their people can enjoy themselves on this day.

Many people even couldn’t wait and urged the anchors to hurry up and watch the Spring Festival Gala on the barrage.

The short film ends, and ancient people from all dynasties look forward to the next joyful feast.

Seeing the classic moments from previous Spring Festival Galas, Su Chen couldn't help but feel a little emotional.

Xinjiang's national music is integrated with modernity, striving to break traditional expressions, seek innovation, and find the best art form.

Su Chen saw that everyone was in a hurry, and the time was just right, so he immediately played the live broadcast of the Spring Festival Gala for everyone to watch.

"Lift your hijab and let me see your face..."

When they thought of this, ancient people from all dynasties showed expectant eyes. They were already impatiently waiting for the Spring Festival Gala to begin.

Finally, when Fan Wei's voice gradually faded away, the lights on the stage suddenly turned on, and the actors dressed in gorgeous costumes were ready to give everyone a wonderful performance.

The Spring Festival Gala is still exciting as before, especially the language programs that make people laugh.

The opening dance performance combines rap culture and folk music, bringing youthful vitality to ancient melodies.

"The Spring Festival Gala covers a variety of art forms, such as sketches, songs, singing and dancing, acrobatics, magic, opera, cross talk dramas, etc."

Listening to Fan Wei's voice, it seems that you can see his naive face, blinking his eyes, telling everyone interesting things about the Spring Festival Gala.

The anchor's words made people from various dynasties a little confused, and most of them couldn't understand what the anchor meant by the Spring Festival Gala.

Since the Spring Festival Gala is a national-level evening party, the level of excitement must be extraordinary, far more exciting than their temple fair.

In order to show for just one minute in front of a national audience, one can imagine how hard every artist puts in behind the scenes.

In the short film, Fan Wei leads everyone to review the classic moments of previous Spring Festival Galas.

Nearly a thousand drummers played Chinese drums and Xinjiang tambourines on the stage. The performance seemed to be of great power. It directly touched the hearts of ancient people from all dynasties and deeply shocked them as soon as it appeared.

Whether it was the stage scenes, the costumes and props, the passionate music, or the uniform actors, they were speechless and deeply fascinated by it.

The opening dance lifted the spirits of ancient people from all dynasties, and they couldn't help but look forward to the next show.

The next program was the song "Hey! "Youth", sung by Wang Kai, Zhu Yilong and Chen Weiting.

This song is energetic and uplifting.

Although the three of them are no longer teenagers, their youthful energy is still there, and they are beautiful in singing and dancing, giving people a full sense of strength.

The first song of the Spring Festival Gala also kicked off the 2024 Year of the Dragon Spring Festival Gala.

Although the ancients of various dynasties were still not accustomed to the song forms of later generations, they were also learning to slowly accept and understand them.

Even many singers from various dynasties are trying to create this simple and straightforward song form.

The next program to be performed is the cross talk "I Want to Be Different" by Yue Yunpeng and Sun Yue, which is undoubtedly a feast of culture and laughter.

This cross talk skillfully uses short stories from daily life to discuss people's desire to pursue individuality and uniqueness, as well as the misunderstandings and confusions they may encounter in the process.

Through humorous methods, Yue Yunpeng and Sun Yue not only made the audience laugh, but also conveyed profound social implications and positive energy.

During the cross talk performance, Yue Yunpeng and Sun Yue mentioned several poems.

Especially in the Feihua Order session, Yue Yunpeng said seventeen flower characters in one breath.

Flowers bloom and fall without regret, fate comes and goes like water.

The flowers fade because the flowers bloom, and the flowers fly away because the flowers are sad.

The sorrow of flowers is the tears of flowers, and the tears of flowers are the broken flowers.

Flowers dance, flowers shed tears, flowers cry and petals fly.

For whom do you thank the flowers when they bloom? For whom do you feel sad when the flowers wither?

Li Qingzhao: Isn't this the word "Broken Flower" that I wrote? I didn't expect that it would still be praised by future generations. It's really surprising.

When she heard her poems being recited in public by actors in the Spring Festival Gala, she couldn't help but beam with joy.

She has not forgotten what the anchor said. The Spring Festival Gala is a national-level gala, and people from all over the country will watch it.

She knew very well what it meant to recite her poems in front of people all over the country.

Being able to leave a name through the ages is the greatest ideal of every poet. Everyone wants their poems to be immortal, and now she has done it.

And not only "The Broken Flower" has been famous for generations, but the "Today I still miss Xiang Yu and refuse to cross Jiangdong" in another song "Summer Quatrains" has also been passed down to later generations.

Li Bai: My "Gift to Wang Lun" has also been immortalized.

Li Bai was about to go by boat and suddenly heard the sound of singing on the shore.

The water in Taohuatan is thousands of feet deep, not as good as Wang Lun sent me.

He was invited to a banquet by Wang Lun, and before leaving, he wrote a poem and presented it to Wang Lun.

But I didn't want to be so well-known and be sung by future generations of actors in front of hundreds of millions of viewers.

Du Mu: "Red Cliff" and "Qingming" both made the list.

There is a famous sentence in "Red Cliff", the east wind does not agree with Zhou Lang, and the bronze bird spring locks two Qiao deeply.

Famous lines from "Qingming", may I ask where the restaurant is? The shepherd boy points to Xinghua Village in the distance.

The two poems in succession have been immortalized forever. At this moment, his heart was quite excited and his whole body was trembling.

The next program is the creative New Year show "New Life", directed by Zhang Yimou himself.

This program made Su Chen's eyes light up. It was so creative.

The whole picture magically combines delicious food, beautiful scenery, and happy people.

Close-up, long-distance, upward and downward views, opening and closing, make people overwhelmed and feast their eyes.

In addition, Hu Ge, Tang Yan and other actors from the "Flowers" cast have good images and good singing.

Each one is full of youthful vitality and full of happiness, bringing the audience into a beautiful life.

From content to form, from special effects to actors, this program "Brilliant" is top-notch.

He had to lament that when it came to creativity, Lao Mouzi still had a knack for it.

Not only was Su Chen's eyes brightened after watching this program, but even the ancients from various dynasties felt refreshed after watching it.

Ying Zheng was quite surprised by this program. He thought it was only about singing and dancing, but he didn't expect the creativity of this program to be very good.

The singing, pastries, and dance performances in the show are perfectly integrated with the visuals.

He had never seen a show in this format before, and it was refreshing to him.

The next program is the traditional Chinese pattern creation show "Nian Brocade". The innovative fusion of excellent traditional culture and modern art forms is a highlight of this year's Spring Festival Gala.

The Spring Festival Gala's traditional Chinese pattern creation show "Nian Brocade" selected representative patterns from ancient China that imply auspicious blessings. Through songs and virtual synthesis technology, Liu Tao, Liu Shishi, Li Qin and Guan Xiaotong traveled through time in traditional costumes.

Cultural elements spanning thousands of years were reborn, and the oriental aesthetic charm amazed the audience. An ancient fashion show was staged where people came from paintings.

The representative patterns of each dynasty are combined into an auspicious New Year picture.

The program selects representative patterns from different dynasties of the Han, Tang, Song and Ming dynasties that imply auspicious blessings, and integrates them with gorgeous stage techniques to weave a picture of pattern changes spanning thousands of years.

In the Han Dynasty, the clothes were embroidered all over, and the edges were decorated with patterns such as brocade, moiré, and dogwood patterns, which were solemn yet delicate and delicate.

In the Tang Dynasty, clothes and ornaments were all over the body, with wild goose patterns, lion patterns, etc. on the skirts, showing complexity and elegance.

In the Song Dynasty, the colors of clothing were fresh and elegant, and there were many floral patterns such as peonies and begonias.

In the Ming Dynasty, stand-up collared double-breasted blouses were paired with classic horse-faced skirts, and the gourd pattern symbolized good luck.

This traditional Chinese pattern creation show was very enjoyable for Su Chen to watch.

Not only are the tattoos beautiful, but more importantly, the actresses are beautiful.

Before Su Chen watched the Spring Festival Gala, he was interested in "Nian Jin" and specifically looked up information on this aspect.

As far as he knows, the patterns performed in the show were designed by an elderly man himself for the Spring Festival Gala. They are beautiful, elegant and unique traditional Chinese patterns.

It implies auspiciousness, joy and good yearning for happiness and prosperity, and sends blessings of long-lasting happiness, health, wealth and good fortune to the broad audience.

The program uses representative patterns from the Han, Tang, Song and Ming dynasties that imply auspicious blessings, which makes the ancients of the Han, Tang, Song and Ming dynasties particularly proud.

After all, being able to display the representative patterns of their dynasty in such a grand party will undoubtedly be the recognition of their dynasty by future generations.

The recognition from future generations makes them overjoyed.

Ancient people from other dynasties were very envious and jealous when they saw the people of these four dynasties showing off on the barrage.

Obviously their dynasty also had patterns that meant auspicious blessings, so why would later generations only use those from the Han, Tang, Song and Ming dynasties instead of those from their dynasty?

Forget about the Han, Tang and Ming dynasties, these three dynasties were indeed powerful and they had nothing to say.

However, no matter how weak the Song Dynasty was, they could still be selected, but they did not have the patterns of their dynasty. They were dissatisfied and protested one after another.

Zhu Di watched a few programs and seemed to understand why there were four dynasties: Han, Tang, Song and Ming.

He discovered something from previous programs.

That is, the program performed is not just a simple program, but also contains profound cultural significance behind it.

"Nian Brocade" is a treasure of ancient embroidery art, showing the artistic charm of ancient costume culture and enhancing the self-confidence and cohesion of the Chinese nation.

He believes that the reason why the four dynasties of Han, Tang, Song and Ming were selected is because their patterns are widely different, rich in styles and distinctive.

The patterns of the Han Dynasty were solemn and sharp. In the Tang Dynasty, patterns were flourishing, and even lions had wings.

The patterns of the Song Dynasty are elegant and distinct.

In the Ming Dynasty, there are many homophone pattern combinations, such as two persimmons, which means everything goes well.

The next program is a language program that Su Chen is looking forward to, the sketch "Can It Be the Same?"

In the show, the daughter who has been married for three years has never spent the New Year at her mother-in-law's house. She packed her luggage and prepared to go to celebrate the New Year.

However, she was blocked by her mother who had double standards, so she finally decided to work with her father to change her mother's double standards.

The mother with double standards did not take the father and daughter's resistance seriously, but when the neighbors accused the father and daughter of their problems, the mother used her double standards to protect them.

In the end, the family of three resolved the conflict and went to the daughter's mother-in-law's house to celebrate the New Year together.

After watching the whole skit, Su Chen was so embarrassed that he pressed his feet to the ground and wished he could leave the three rooms and one living room.

This skit satirizes the double standard of women and is an advertisement. There is no humor in the whole process. It is really embarrassing.

Overall, this sketch, which was embarrassing throughout, was a complete failure.

If it weren't for the fact that Zhang Ruonan, who plays the daughter, is a beautiful woman, he would really not be able to stand this sketch.

Although Su Chen looked embarrassed, the ancients from all dynasties were not embarrassed at all. Instead, they looked fascinated.

Regarding the stories of skit performances, due to the different situations in ancient times and later generations, most of them just watched it for fun.

Even many people in various dynasties did not watch the skit carefully at all, but focused all their eyes on Zhang Ruonan's face.

Zhang Ruonan is the most beautiful beauty they have seen since the Spring Festival Gala.

Not to mention ordinary people, even many emperors from various dynasties were equally obsessed and couldn't bear to take their eyes away from Zhang Ruonan's face.

After the skit ended, people from various dynasties were still interested in watching Zhang Ruonan's exit reluctantly.

However, the "Mountains and Rivers Poem of Chang'an" performed at the Shaanxi Xi'an branch quickly made the ancients from all dynasties quickly come to their senses and pay attention to watch the wonderful performance.

The reason why ancient people from various dynasties took this program so seriously is because the colorful introduction of "Mountains and Rivers Poems of Chang'an" belongs to their ancient Chang'an.

On New Year's Eve, Xi'an performed "Mountains and Rivers Poems in Chang'an" with a condensed essence, focusing the attention of the people across the country on the national trend of innovative Shaanxi rap, the creative sleeves that combine hardness and softness, and the long-lasting drum symphony.

The Evernight City of the Tang Dynasty recreates the poetic and magnificent scene of Chang'an, and every frame is endlessly memorable.

Follow the steps of the poet Li Bai into Chang'an City, and the scene will come to the city that never sleeps in the Tang Dynasty.

Lion dance, dragon dance, social fire, roly-poly ladies, Qin opera performances... this place is very lively.

"Ride a white horse and walk through three passes. Under your feet is the eight hundred miles of Qinchuan."

The familiar Shaanxi dialect is combined with dynamic rap, and the national trend performance is brilliant.

"Laughing in the sky and going out, I am a Penghao people."

With a roar of Qin Opera piercing the night sky, Qin Opera carries the feelings of Qin people and the soul of China on the stage, and also displays the rich and diverse Chinese culture.

The dancers on the stage, with their sleeves fluttering slightly, are free and elegant yet subtle and elegant.

The water sleeve performance combined with tumbler elements is light and elegant, delicate and soft.

There are also national singing and poetry and songs, witnessing the poetic scene of Chang'an in the dialogue between ancient and modern times.

Following the Spring Festival Gala footage and visiting the Tang Dynasty Evernight City in Xi'an from the perspective of Tang poetry, you will have a better sense of connection with the ancients.

In addition, there is also a shocking opening of the Spring Festival Gala, with the Big Wild Goose Pagoda and Tang Furong Garden playing drums and music to celebrate the New Year!

The main stage uses simple and bright lines, combined with the Tang Dynasty architectural elements of Datang Evernight City Pedestrian Street, to create a stage full of fashion and modern atmosphere.

With different programs, the stage also changes, presenting a colorful stage format.

The lights were lit all day long, and the lighting of the venue was inspired by the "Kaogong Ji" in "The Rites of Zhou".

Moreover, it combines the performance concept of a major drama and integrates the two-kilometer street scene into the performance.

Tonight, in the Everlasting City of the Tang Dynasty, the spring tide is surging and full of vitality.

The branch venue and the main venue are integrated and have a coherent atmosphere.

It not only displays the rich national culture, but also highlights the colorful new era and new atmosphere.

It also fully explored Xi'an's unique historical and cultural highlights and regional characteristics, showing a festive and warm New Year atmosphere.

Xi'an was called Chang'an in ancient times. As the ancient capital of thirteen dynasties, it has a long history and condenses the essence of the heyday of Chinese civilization.

As the branch venue of the 2024 CCTV Spring Festival Gala, Xi'an combines wonderful performances with thousands of years of history to present a New Year cultural spectacle.

Let people feel the strongest Chang'an New Year flavor and the strongest city fireworks.

Ancient people from all dynasties were all shocked by the grand scene of Chang'an, and their hearts could not be calm for a long time.

They had seen the magnificent sight of the Everlasting City of the Tang Dynasty before, but this time it was even more shocking and left a deep mark on their hearts.

Li Longji: The performance of "Poems of Mountains and Rivers in Chang'an" combines the virtual and the real of traditional culture, the poetry and music are harmonious, and the mountains and rivers are dazzling. They jointly interpret a scene of the prosperous Tang Dynasty, which shocked me.

If anyone was to say who was most shocked by "Mountains and Rivers Poem Chang'an", it must be him.

It was he who created the prosperous Chang'an where all nations came to visit. Now that he sees a more magnificent prosperous Chang'an in later generations, he feels a deep sense of pride in his heart.

He believed that not only would he be proud, but everyone in Chang'an would be proud, and every common person in Datang would be proud.

When he saw Li Bai reciting poems at the top of the Big Wild Goose Pagoda, his eyes turned red and he wanted to burst into tears.

Just because this is Datang.

The perfect fusion of ancient and modern times makes you feel as if you have traveled through time and space, immersing yourself in the prosperity and fantasy of Chang'an during the prosperous Tang Dynasty.

The flourishing period of the Tang Dynasty presented a unique artistic picture that left him with endless aftertaste.

The next dance program "Koi" makes its grand debut. The dancers skillfully use wire to show a different kind of oriental beauty, which means that fish leaping over the dragon's gate brings good luck!

The next show is the magic show that Su Chen is most looking forward to, "Staying New Year's Eve Together at This Time".

Liu Qian performed the magic trick "Staying New Year's Eve Together at This Time". Nigmaiti and others each prepared four playing cards and followed Liu Qian to perform magic tricks, inviting the audience to interact together.

Liu Qian's magic show made audiences across the country crazy and surprised Su Chen.

Liu Qian rearranged 52 playing cards, and the last card perfectly matched the date of the day.

What's even more amazing is that Liu Qian asked the audience to tear apart the playing cards in a certain order, and the last two broken cards magically formed a complete card. This sense of interaction made the audience feel like they were in a miracle.

Not to mention the audiences of later generations who were amazed by Liu Qian's superb skills and ingenious design, even the ancients from various dynasties also exclaimed in disbelief.

Liu Qian's magical magic performance gave them endless fun and surprise.

Many people in various dynasties wondered how Liu Qian did it. It seemed too magical.

If it weren't for Liu Qian's interactive guests' awkward expressions at the end of the magic trick, they would all have thought that Liu Qian knew some magic.

In addition to superb magic performances, ancient people from all dynasties also discovered that Liu Qian cleverly incorporated traditional elements into his performances.

Whether it is the antique props or the charming music and dance, the entire performance is full of a strong cultural atmosphere.

The next song program "Healthy to the Order" combined music and exercise, allowing the audience to see a unique performance.

In this program, Zhou Shen sings "The Order of Health" with his unique voice, making people from all dynasties dynamic.

Although they couldn't understand it, they could feel that every note conveyed health, vitality and sunshine.

Listening to Zhou Shen's singing, ancient people from all dynasties seemed to be in a world full of vitality, and everyone was stimulated to their inner vitality.

The stage performances that echoed the songs amazed the ancients from all dynasties.

VR Kung Fu Panda, as a highly skilled virtual reality panda, displays various gorgeous kung fu moves on the stage.

The pandas that look like real ones remind ancient people of all dynasties of the special effects in The Wandering Earth.

Originally they thought that the special effects in the movie were all fake, but now it seems that they may not all be fake.

The cross talk "The Director's Thoughts" is a cross talk drama that tells the story of an actor who received a brief "Are you there" message from the director, and then derived countless far-fetched thoughts, torturing his heart.

In fact, the director just wanted to find someone to bring a cup of coffee back.

Officials from various dynasties resonated more with this cross talk, and they often had random thoughts because of the emperor's words.

The bitter satire of the sketch "Can't Open My Mouth" is eye-catching and introspective. It is considered one of the unforgettable programs in the Spring Festival Gala.

After Xiao Guo's novel was successfully published, the community sent reporters to his home for an exclusive interview. His father, Lao Guo, praised his son all the time in front of the reporters, but he was never able to praise his son in person.

Although the father believes that he should be serious with his son, he also hopes to express his love in person.

In the end, with the help of reporters, the compliments in their hearts were finally spoken out, and the gifts behind them were finally handed out. The father and son bravely expressed the love hidden in their hearts with actions.

This sketch is very resonant, at least Su Chen felt it deeply.

In his impression, his father had always been like this and rarely praised him in person.

In fact, it's not just his father, but many fathers across the country are like this.

How many parents praise their children's brilliance in front of outsiders, but when they face their children, they immediately run out of words and even complain about them.

When we meet, we scold the children, and when we separate, we feel guilty for not praising them more.

Every time after completing the psychological construction, I must praise the child more, but next time, when I see the child, I can't help but criticize the child.

Ancient people from all dynasties resonated with this point. The father has always played the role of a strict father.

Looking at the father in the sketch, it was like seeing myself.

Looking at the children in the sketch is like seeing my own child.

The sketch "The House Is Not Cold" tells the life story of an old man named Grandma Wang, her son Wang Dapang, and her daughter Wang Hongxia.

Grandma Wang is a poor rural old man. She and her children make a living by farming.

Wang Da Pang and Wang Hongxia are brothers and sisters with very different personalities, but they have a very close relationship with each other.

Despite living in poverty, the family remains optimistic, supports each other, and lives a simple and happy life.

Wang Dapang, played by Shen Teng, is a stingy and kind-hearted character. He is often worried about his family's expenses, but he can always face difficulties bravely.

Wang Hongxia, played by Ma Li, is a cheerful and optimistic girl who brings warmth and strength to her family with her smile and hard work.

Grandma Wang is the center and support of the family. She is tough and kind. No matter she faces difficulties or trivial matters in life, she can stick to her original intention and give selfless care and help to her family and people around her.

Ancient people from all dynasties watched it with gusto at first, but for some reason, the skit ended suddenly as if it was not finished, which puzzled them.

But they didn't care, after all, there were exciting programs later.

At the end of the Spring Festival Gala, the last skit "We Have a Visitor" made its grand debut.

At the beginning of the skit, a family is trying to prepare for the arrival of guests.

Unexpectedly, guests came one after another, and the scene got out of control for a time, and it was very lively inside and outside the house.

The actors' superb acting skills and humorous lines made the audience laugh, and familiar scenes in life seemed to be playing out before their eyes.

As the plot progresses, the comedy elements of the sketch become more and more diverse.

A conspiracy and a misunderstanding push the whole story to a climax.

The guests at home had their own concerns, but the seemingly tense scene caused infinite joy.

The audience burst into laughter. As the plot unfolded, it also made people reflect on the value of family and friendship.

Amid warm applause from audiences across the country, the Spring Festival Gala skit "We Have a Visitor" came to a successful conclusion.

Ancient people from all dynasties watched it with gusto. This was a carefully created sketch that showed family affection and friendship in the form of comedy performance, making them feel the warmth of home while laughing.

Needless to say, the last program of the Spring Festival Gala is the fixed song "Unforgettable Tonight".

At the beginning, the stage lights were shining brightly and neon lights flashed, as if the audience was taken into a time tunnel.

As the music played, the dancers sang and danced, bringing the audience into that unforgettable night.

Every movement is vivid and powerful, matching the rhythm of the melody, making people immediately immersed in it.

Throughout the performance, the Chongqing girls worked closely with the dancers, dancing in various styles and showing their unique charm.

They embody that unforgettable night, showing the audience a microcosm of the world through singing and dancing.

And their singing is even more memorable, as if they are reliving the good old days.

After the performance, the audience burst into warm applause and cheers.

After the final performance of "Unforgettable Tonight" ended, it heralded the end of the Spring Festival Gala.

Although it was already late at night, the ancient people from all dynasties were not tired at all, but were in high spirits.

Tonight's Spring Festival Gala was an eye-opener for them, and they also saw the grand event on New Year's Eve in later generations.

After the Spring Festival Gala ended, Su Chen saw that it was already very late and immediately stopped broadcasting.

(End of this chapter)