half demon glass

Chapter 644 After I bloom, a hundred flowers kill
As long as it's not going back to the Yin Division, even if I ask Feng Jiuqing to accompany me back to Luofeng Village to go back to hermitage, he probably doesn't have any objections.

"Okay, then go to Fenghuangdan, do you have any clues?" He replied to me.

I nodded and took out the small box.

Lin Sishen recognized it as Lin Buhui's at a glance, took the box directly, looked at it for a while, and asked me: "Liuli, tell me, why does he keep leaving things to help you?"

"Help?" I raised my head to look at him, "I don't think he's helping me, don't you think he's been using me like a fake hand?"

"But there is no way. He hides in the dark, and the things he left behind are indeed useful to me. Even if he treats them as pawns, I can only recognize them first."

Lin Sishen returned the box and said nothing.

I opened the box and took out the kit containing the clues of the phoenix gall.

Inside the kit was a very, very ordinary piece of white paper, on which was left a section of vigorous handwriting.

It was a poem: "When autumn comes and the eighth day of the ninth month comes, all the flowers will kill me after they bloom. The fragrance soaring to the sky penetrates Chang'an, and the whole city is full of golden armor."

This poem is Huang Chao's "Bu Di Hou Fu Ju", which can be regarded as a very popular poem.

I thought he would just write the name of the place, but he left such a poem, saying it was a clue to Fenghuangdan, how can I guess it!
Not only me, even Feng Jiuqing fell silent when he saw this poem.

On the contrary, Lin Sishen who was at the side, after reading this poem, suddenly said: "When I was a child in the mountains, there was a picture of a hundred chrysanthemums hanging on the wooden house where I lived. I once asked him whether the chrysanthemums on it came from where……"

"He told me that people in the world endow yellow chrysanthemum with the meaning of auspiciousness and longevity, but they also use it to pay homage to the dead. Before the other side of the Dead Sea, there is a small road with yellow chrysanthemums planted on both sides."

"And... under the picture of a hundred chrysanthemums, there are two words, the other shore."

"You said... the place that this poem points to, is that the place?"

Huang Chao's Fuju, which is not the second, was originally used as a symbol of ambition, and it was used to express his determination to change the world and realize his lofty ideals.

Lin Buhui used this poem as a metaphor to hide the place name of Fenghuangdan.

If it is true as Lin Buhui said, before the other side of the Dead Sea, there is a small road with yellow chrysanthemums planted on both sides.

So, where does the other side of the Dead Sea refer?
I didn't answer in a hurry, but raised my head and glanced at Feng Jiuqing, only to see that he suddenly understood something, and said, "I know what I'm talking about, I'll take you there."

Then he waved his hand, and four off-white paper figurines with the word "Prisoner" written on their clothes instantly appeared in the sky, carrying a paper sedan chair, stepping on the air, and leaping towards us.

Several times before, when Feng Jiuqing appeared, he always sat in this paper sedan chair. I haven't seen Feng Jiuqing use it for a long time, so I thought he lost it.

This paper sedan chair was particularly spacious, and Lin Sishen and I sat in it, and there was still plenty of room inside.

Ever since Tianlei appeared, the little Yuan Baoer, who had been hiding in my clothes, seemed to feel a little strange when he saw this paper sedan chair, and quietly poked out those big eyes from under my clothes.

Unfortunately, I happened to meet Feng Jiuqing's bottomless cold eyes, his little head shrank in fright, and he still didn't forget to act like a baby to me.

"Sister, he, he, he stared at me!"

(End of this chapter)