The Inheritance of Culture and Entertainment

Chapter 83 Reference to Cultural Relics
Jingzhou really didn't know this.

After all, in his world, as long as a certain number of years has elapsed after the creator's death, all copyrights will automatically become public.

There will be no integration of elements of antique cultural relics, and the defendant will infringe.

He hadn't noticed before that there was such a rule.

It seems that we will pay more attention to this aspect in the future.

There are some differences, some changes, he always needs to understand.

Otherwise, you won’t know when you will suffer a loss.

Jingzhou immediately searched for relevant aspects in his memories.

The original owner has this memory.

Often participate in various competitions.

I still majored in screenwriting.

I still know a lot about copyright-related regulations.

Jingzhou immediately pulled out a rule applicable to the current situation.

He didn't panic or try to quibble.

Rather, it pointed out the errors and omissions in Hu Que’s interpretation of his own works.

"Allow me to say a few words.

The work I designed yesterday, the design of the mountains on the front, is definitely based on the "Thousand Miles of Rivers and Mountains".

But the other designs on the back and sides are not inspired by "Thousand Miles of Rivers and Mountains". "

Hu Que was secretly excited when he heard that Jingzhou took the initiative to acknowledge that his work had been borrowed from "A Thousand Miles of Rivers and Mountains".

Thinking that Jingzhou knew that he couldn't quibble.

So I simply admitted it.

Unexpectedly, I am still here trying to explain myself.

Hu Que despised Jingzhou's desperate struggle.

But he didn't stop it.

She wanted to see how this man could save himself!

Jingzhou dares to say that he is confident.

His words attracted everyone's attention.

Some of the other contestants were gloating about their misfortune.

After all, Jingzhou has always maintained No.1.

But it has always been the center of controversy and contradiction.

Even though Jingzhou didn’t take the initiative to cause trouble.

The psychology of watching the excitement is the same.

It has nothing to do with me anyway.

Some people feel sorry for Jingzhou.

With such strength, it is really unnecessary.

Some people believe that Jingzhou did not make such a stupid mistake.

All you need to do is apply for authorization to refer to this kind of cultural relics.

With his status as the inheritor of non-heritage, that would definitely pass.

Moreover, this authorization only needs to be obtained.

No matter when, it is effective.

There is no need to apply for authorization a second time for the same cultural relic.

However, others may not have thought that Jingzhou's current "common sense" is somewhat inadequate.

He really has no authority.

"The pattern of auspicious clouds in the mountains refers to the pattern of 'auspicious clouds' on the torch of the 2008 Olympic Games.

The image of the crane is based on the bronze crane unearthed from the burial pit of Qin Shihuang's mausoleum.

According to regulations, multiple cultural relics are integrated into one work.

The default is original design. "

This is the difference between individual reference and comprehensive reference.

After all, it is a cultural relic and has no copyright for a long time.

I am worried that borrowing a single cultural relic may be suspected of copying for profit.

But if you combine multiple cultural relics, this will never happen.

Be able to have such an understanding of multiple cultural relics and be able to use them rationally.

It is not something ordinary people can do.

Of course, in general, if a cultural relic is referenced, the public will not report it to the official.

No one expected that Hu Que would suddenly bring this up.

What was even more unexpected was that this work in Jingzhou actually made reference to other cultural relics.

Jingzhou didn't even know that these cultural relics existed.

They have all heard of the name.

But I don’t know the specifics.

Jingzhou also gained wisdom out of desperation.

The auspicious cloud pattern is a traditional pattern representing auspiciousness.

It is found on various cultural relics.It’s no longer possible to just say where it comes from.

Just like some flowers, it has become an element.

But if you insist on which kind of cultural relics, it’s not impossible.

After all, auspicious cloud patterns in different periods have their own characteristics and evolution.

The auspicious cloud pattern painted in Jingzhou is closer to the auspicious cloud pattern on the famous BJ Olympic torch at that time.

The same goes for cranes.

This is the same element as plum blossoms, peach blossoms, etc.

But different images such as standing and flying can also be said to have references.

Jingzhou can guarantee that when comparing the two, they must be similar.

Since Hu Que insists on finding fault.

Then it's not like he can't insist that he made reference to other cultural relics.

This kind of thing is that if you want to say it makes sense, it also makes sense.

But if I didn’t say it, I wouldn’t actually think of it.

This is to treat others in their own way.

After hearing Jingzhou's words, Hu Que wanted to curse!
shameless!
There are actually people who deliberately say that their works refer to cultural relics!

She got to know her today!

What does it mean to make it up!

But if there is a real comparison, what Jingzhou said will definitely be judged to be true!

Really, I am angry and depressed!

I'm afraid this person is here to defeat her!
Hu Que was so angry that he couldn't speak.

Bai Changwen did cover his mouth and smiled.

Really wonderful.

He admired Jingzhou's wit very much.

I admire Jingzhou’s knowledge and knowledge even more.

Not everyone can find the corresponding cultural relics for patterns that have become common elements.

The cultural relic reserves required for this are self-evident.

But Jingzhou was able to think of countermeasures and find cultural relics that matched his design in such a short period of time.

He asked himself that he couldn't do it.

The host was worried that Hu Que would say something difficult to answer again.

Quickly speak to guide the direction.

"In this case, let's check the comparison between the cultural relics and Mr. Jingzhou's design on the spot!"

As soon as he finished speaking, the picture was projected onto the screen.

For a moment, the scene was filled with astonishment.

The audience may not understand what Jingzhou's operation means.

But the contrasting picture lies ahead.

They're not hard to see.

The design of Jingzhou is indeed similar to the two cultural relics.

But it has its own design in it.

It's not copying everything.

What’s more, the fusion of multiple designs is stunning.

This work itself is not authorized.

It will not be considered as a copy of "A Thousand Miles of Rivers and Mountains".

With previous experience.

Many people already know that Hu Que is targeting Jingzhou.

However, they were still amazed by Jingzhou's works.

The host gave everyone a certain amount of reaction time.

Then he announced:
“After comparison with cultural relics and re-examination by on-site judges, we declare that Mr. Jingzhou’s design is an original design.

No copyright disputes, no other disputes.

Review entry criteria.

Keep the original evaluation ranking. "

Immediately afterwards, he did not give Hu Que any more time to cause trouble.

Immediately announced the rule changes set by their general manager.

“Given the objections raised in the first two games.

After discussion, the organizers decided to modify the rules of the third game as follows:

Add 100 public judges.

Public judges score each contestant's work.

The final score of the contestant will be calculated based on a certain ratio between the average score of the public judges and the average score of the judges.

The public judging is composed of lots drawn by the audience.

When contestants create their works, they need to live broadcast the entire process as a basis for public review. "

(End of this chapter)