Chapter 61 Breaking the Game [Part [-]]

Once one's thinking is opened, it will not be so difficult to think about other things, not to mention that for Yao Jinse, because she once existed in the same world as the original author, she can even empathize with some of the difficulties faced by the original author .

There are no two completely similar lives in the world, but there must be intersections in the lives of the same type of people.

She ordered Bailu to go out and lock herself in the room alone, because in this way she would not have to worry about the sound of her own words spreading out and causing some commotion.

After all, it is impossible to write down the whole context of the story, so Yao Jinse can only outline a general context for himself by narrating in a low voice.

"The first is the dream."

Setting the story in such a background must be because the author wants to escape from reality. No one who lives in real life will know more about the era of more than 200 years ago, even if this person learns the most profound history.

But history is history because it is already in the past.

Without seeing things with one's own eyes, only relying on the records in books and hearsay information is not clear enough after all.

Excellent writers are limited by the times, and the background in which they can write best is the times they have personally experienced.

And even the most commercial authors often write stories that fit their own lives, which is the utopia hidden in the heart of every creator.

——Life is difficult to be changed, so you might as well make yourself feel better by dreaming.

But this author, as far as Yao Jinse has seen, she has not written anything that conforms to the real era. Without exception, all of them are fictional, and all of them are in line with the author's fantasy.

And this is the emotional projection of the author himself.

She is escaping, the real world has brought her enough disappointment, so in a created land of nothing, this kind of disappointment should not happen again, but what the author does not realize is that even She created a dreamy utopia, and those habits hidden in her consciousness still made this story gradually take the direction she least wanted to have.

"The heroine suffered a lot at the beginning. Although every episode is paving the way for the emotional outburst in the later stage, these sufferings actually symbolize some special emotions behind it..."

Yao Jinse gradually entered the state, as if she was taking notes when she was reading a book. As she got better, she gradually began to disassemble and integrate the stories in her mind with the reality she faced.

Reality needs a framework, and the framework of this story comes from the first words. What she is best at is to read a person's heart through the lines.

Of course she is not a detective, but she has watched many suspenseful crime TV series and novels, and she at least knows some theories under her influence.

The so-called unraveling is actually to restore the unknown person through the information that is known now. Yao Jinse doesn't want to know what this person looks like. Appearance is just the most basic and most useless feature of a person. She needs it now. What I know is the person who created this story, her psychological state when she created this book, her growth background, and the things she was worried about.

Because this information is the basic element that constitutes a person.

A person's experiences shape the person himself.

One of the characteristics of online novels is that they are very homogeneous, which Yao Jinse is also aware of, but serious homogeneity does not mean that there is nothing about the author himself in the story.

Everyone writes the same thing, the storyline, direction, and ending are all similar. Why is it that some people's writing is popular, while others are not?

This is of course because there is always someone who can build a dojo in a snail shell. Even with the most common materials, they can build a beautiful world through wonderful ideas and frameworks, as well as outstanding writing skills.

And these things are the characteristics of an author.

"The emotion of the story is to suppress the heroine at the beginning. This is to create sacrifices. This is because of lack of self-confidence."

In terms of the ups and downs in the development of the story, the purpose of the sacrifice is to make the coolness in the later stage more intense, but there are various ways to express a person's character and plot. Since the creator has chosen this It means that there must be content that fits the creator's mental state at that time.

By shaping the suffering of women, trying to arouse the sympathy of the people around her——

"This shows that when the creator herself was suffering, she did not receive help from outsiders."

No one helped her, no one sympathized with her, but she did not attribute this reason to the outside world, but came to a very paradoxical conclusion.

The reason she didn't receive pity and sympathy was because she wasn't miserable enough.

On the other level, it is the suffering that is released, which is actually serving the "love" on the next level.

After all, the hero is the emperor and has the supreme power in this world, but the emperor's side is the most difficult to get close to, and it is extremely difficult to get close to the emperor's heart.

The heroine needs a way,

This road can be in any direction, poetry, song, soul mate, even a simple glamorous skin can become this road,

And these things are all beautiful qualities that the heroine possesses.

But the author didn't use any of them. These tools were the flirting methods used by the emperor when he first had a crush on the heroine.

The author didn't use these things to show the heroine's knowledge and talents—it seems to have created such a personality for the heroine, and the ultimate goal is to make the heroine's aura a little bigger.

The thing that really made the emperor discover the love in his heart was that the emperor accidentally discovered that the heroine's life in the palace was very miserable, so he felt guilty.

"A standard-model prodigal son turned back."

Even in the most ordinary environment, the tolerance for men is far greater than that for women. The price a prostitute needs to pay if she wants to be good can almost kill the woman, but a man wants to change his ways. New, just simply look back.

He doesn't even need to really reform himself, he just needs to talk about it.

And this description also appears in the whole story.

Because of guilt, the emperor found out that he has true love for the heroine. This condescending way of expression, when reading it in a flash, does not make people think there is anything strange, and even takes it for granted.

Because this problem is social, whether it is the creator or the reader, as long as the audience of this subject is almost all people struggling from the same living environment.

(End of this chapter)

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