People are in the heavens, playing until they lose contact

Chapter 51
Two days after the inexplicable investigation time, the Constructed Dolls Expo, which will last for almost a month, was officially held in the Concrete City of Liverpool. Various groups from all over the world began to enter Liverpool, renting, buying, or directly training In the way of stalls, the various secrets researched by the country or the group and the objects developed by the most advanced technology are displayed for visitors to appreciate and purchase. Of course, they also show their strength by the way to obtain The attention of many great powers and countries, in order to be solicited.

After all, it is more comfortable to do research with state support than the studio of the starting team——

Without him, funding has never been a problem!

As long as you can come up with the technology that makes the above tempting, then the country's investment in this area is far beyond what private institutions can match.

Therefore, at every ingenuity expo, you can see all kinds of messy new technologies and materials, which are very suitable for people like Liszt who need knowledge to fill their energy and accelerate the unblocking and recovery of destiny gold coins to visit and learn.

So Liszt took a day off, asked Kimberly for permission to go out, left the Royal Academy of Ingenuity alone, and came to a city that has changed drastically, starting a new round of visits, studies, and replicas .

As for where are his puppet Polla and puppet Kimberly?

The former was naturally put into the space pocket by him, otherwise, according to the rules of the Royal Academy of Ingenuity—students are not allowed to bring their own dolls when they go out, except because the dolls of the students are all from various countries or families, groups, and jobs. In addition to worrying that the students will be attacked by those "thieves" when they go out with the dolls, they are also worried that the students will be young and energetic, and they will be calculated to directly manipulate the dolls to make a scene in the city. If any trouble is caused, the academy may also be implicated.

Therefore, in order to avoid this from happening, all students are prohibited from carrying dolls outside the campus for activities.

This is a mode of operation that wizards in the Harry Potter world cannot use magic in environments other than the wizarding world and in front of Muggles.

As for the puppet Kimberly, since it has been exposed, Liszt no longer hides it, and sends her directly to Mrs. Kimberly, and asks her to take care of it for a while, so that no one with ulterior motives will take advantage of him when he is not around. , launching an attack on the doll Kimberly.

……

"Brother, this is the latest magic conversion device created by our studio, do you want to see it?" In front of a booth, a middle-aged man dressed like a blacksmith warmly greeted Liszt who was standing in front of the booth.

"Let's have a look then." Liszt smiled.

Then, he picked up a magic power conversion device from the booth.

As the name suggests, it is something that can convert the magic power of the puppet user into the corresponding effect.

To put it more bluntly, this is an item similar to the magic wand of the wizards in the world of Harry Potter. Only by using it can the magic power of the puppet be generated through the magic circuit in the puppet, such as Effects such as flames, freezing, and gusts of wind.

The quality of a magic power conversion device lies in its conversion efficiency and conversion speed.

The former represents the amount of consumption, and the latter represents the speed of release.

Liszt tried it with his own magic power, and it was indeed better than the magic power conversion device on Polla...

If Porla was a magic puppet that uses magic as a means of combat, Liszt might consider buying him, but Porla has long been transformed by him according to the model of a gunner, so there is no need to consider magic transformation The quality of the device.

What's more, the magic power conversion device is a dead thing. When this thing came into Liszt's hands, he used alchemy to analyze it clearly. You can go back and make one yourself, which is easier and cheaper than buying it.

"Brother, do you want to buy one back?" Seeing that Liszt seemed to appreciate his own products, the uncle asked with a smile on his face.

"I'll look again, I'll look again." Liszt responded with a smile.

Then he put back the magic power conversion device in his hand, picked up the other one next to him, and checked it. After seeing that there was no difference from the previous magic power conversion device, he completely lost the idea of ​​staying any longer, and moved towards the next booth. walked over.

This is a stall that sells alloy bones, also known as clever skeletons.

There are a lot of things sold here, such as femur bones, calf bones, arm bones, ribs, spine, and skulls. If it is not afraid of contrasting with the booth next to it that sells clever joints, if it is easy to smash the signboard, you can’t even talk about clever joints. There are also some for sale.

"This is a new product made of the latest alloy we have developed. In terms of strength alone, it can be said to be much stronger than all the smart bones currently on the market. Guests may wish to feel it."

Liszt felt it as usual, and used alchemy to copy the molecular division of the alloy material used by the other party, then turned around and went to the booth next to it that sold joints.

Then there are organic materials.

Booths for doll bodies.

There is no way for these two Liszt to be copied by alchemy.

After all, organic materials are said to be materials, but because of the simulation requirements, they generally include protein molecular groups. This is not something that can be broken through by the analytical ability of alchemy, which can only produce effects on inanimate dead objects and pure molecular materials. The part is gone, so we can only give up the record.

As for the latter, it is a whole. Unless it is a puppet body made entirely of metal, it is the same as organic materials, and only the parts that can be analyzed can be analyzed.

However, the purpose of Liszt coming to this booth was not for the puppet body sold by the other party, but for the magic circuit inside——

According to the information Liszt inquired, most of the puppet bodies sold at the Contrasted Dolls Fair use universal magic circuits, which are said to be able to correspond to most Eve hearts and magic formulas!
After all, compared to those in the Royal Academy of Ingenuity who are not short of money, there is either a family or a studio behind them, or there is state support, a lot of money and resources to squander, and someone who can help design the magic of dolls The various second-generation and spokespersons of the loop, ordinary civilians, and puppet users with not very rich family backgrounds are the mainstream of puppet users in this world.

They don't have a dedicated person behind the scenes to help design the doll's magic circuit and create a special Eve heart, so buying parts and assembling has become the first choice for these people!
In this way, universality becomes an inevitable consideration for these buyers and sellers.

So gradually, this kind of design scheme that can match a variety of magic circuits that can be seen on the market and the magic circuit of Eve's heart was born. The manufacturing method of the special person and special plane has become the patent of a few people. , turned into a luxury item, separating them from the general group of puppet users.

This time Liszt didn't hesitate, and bought two puppet bodies engraved with universal circuits with the big gold bricks refined by alchemy before going out, and carried them to a secluded corner where no one was around. They were put into the space pocket, and then he went shopping again without incident—or continued his journey of stealing technology.

Invisibly, the gold coin of fate in Liszt's mind began to glow faintly, absorbing the magical energy that Liszt didn't understand, and accelerating his own recovery...

(End of this chapter)