People are in the heavens, playing until they lose contact

Chapter 34 'Monkey King'

Listening to the faint movement coming from a distance, Liszt knew that the actions of Paula and the puppet Kimberly would not hold back the interceptors for long.

After all, that person's speed is simply not comparable to that of the current Porla or the puppet Kimberly, so it is ultimately up to him to get out of the current predicament.

Liszt stood there frowning and thought for a long time, but only came up with two and a half solutions.

One is to completely sacrifice Borla and the puppet Kimberly, and while they are pinning down the interceptors, they will take Anriette to dig a hole with alchemy, open a tunnel, hide herself and Anriette, or even directly Take her from the ground to the infirmary for help.

But the problem is, as a school that teaches magic and ingenuity, who knows if there is something or a magic barrier in the underground of the school, don't run away, and bury yourself first.

The second way is to work hard!
With the convenience of my own alchemy, and the magic recovery potion in the space pocket to carry out violent soldiers, I produced a large number of various types of Borla to support. Although it may not be useful, it is better than luck.

As for the remaining half, it is to remotely override Porla, hug the Interceptor by sacrificing the puppet Kimberly, and then let Porla turn into a self-destruct robot, and directly bring the puppet Kimberly and the Interceptor to self-destruct. It is not clear whether the interceptor can be killed, but the huge movement will definitely attract the attention of the guards in the academy and members of the Magic Association, but it can scare the interceptor away and fight for the chance of survival for himself.

After thinking about it, Liszt felt that the second method was relatively more reliable.

He didn't hesitate any longer, and immediately sat cross-legged on the ground, using the land in front of him as the material to activate the alchemy of the steel-making world, changing the molecular structure of the material, turning the soil into metal, and then changing from metal into the kind used by Porla. The structure of the outer armor, and then take out some materials to make Eve's heart, and then use the materials to build a new Boerla.

It's just the model...but it's no longer a tall version like Polla's, but it's about the same as a normal person.

After all, he used alchemy instead of handwork to make Eve's heart. Except for the lack of knowledge about the magic circuit, he will not be affected by the strength of the specific craftsmanship. Not only can he make the normal version of Eve's heart, but he can also explode the upper limit. Eve's heart the size of a fingernail was created, so even the size of Polla became controllable, from three meters away to five or six centimeters without any problem.

The only thing that restricts him is the amount of magic power, and his own thought power—whether the spiritual power can support the operation of so many automatic puppets.

Fortunately, the former is assisted by magic potions, but the latter...

I'm so desperate, I still think about this and that, there's something wrong.

So without any further hesitation, I immediately drank the magic potion and produced a large number of various versions of Porla, then opened the door and released all the Porla——

"Go, let that bastard see how powerful we are!" Liszt said viciously after re-sealing the fortress, leaving only an observation port facing the direction of the battle.

Then, he started to use alchemy to make a telescope, and took it in front of his eyes to watch the ensuing battle.

……

The next moment, with the humming of the air, a new batch of automatic dolls made by Liszt joined the battlefield.

"Huh?" The interceptor was a little dazed by the situation in front of him, and he couldn't understand the situation for a while.

After all, no matter whether he has seen or heard the rumors about puppet messengers, no one can release dolls continuously like Liszt...

Even if there were, there were originally multiple dolls on the surface.

Such as Marshal Magnis.

It was the first time the Interceptor had seen such a large number of puppets that were on the bright side like Liszt immediately released new puppets after they were restrained.

But the reaction was not slow, and he burst out with stronger output, hitting the newly arrived automatons, so as to avoid being surrounded by them and failing his mission.

It's just that the big ones - automatons one meter away are easy to hit, and those under one meter, those who are only tens of centimeters tall, or even less than ten centimeters, even if he wants to attack, it will be because his attack surface is too huge , the power is too scattered to cause substantial damage.

Not to mention, with the reduction in body size and weight, the speed increase brought by the hot air operation is also faster, so the attack will often fall into the empty space, or become an automatic puppet to avoid his attack With the assistance, many attacks have become decorations.

But correspondingly, the attack power of small and ultra-small automatons has also decreased a lot. Even if they all transform into magic swords and attack around the enemy in a way similar to flying swords, it is difficult to break through the enemy's defense and cause real damage to him. harm.

Naturally, Liszt also used the binoculars to see the battle situation over there, frowned, and came up with a solution.

Just learn from Sun Monkey.

So during the siege, several ultra-small automatons took advantage of the gap and rushed towards the interceptor's eyes, nose, mouth, and even behind the buttocks...

Buzzing around the interceptor like a fly, he couldn't help becoming irritable.

"boom!"

When the interceptor was about to wave him open, an ultra-small automaton exploded, gushing out a strong hot wind and shooting debris into his eyes.

The interceptor blocked it with his hands, and the other ultra-small automatons shot into his ears and nostrils at high speed.

The ultra-small automaton that has been moving behind his butt also took the opportunity to cut open his pants, got inside, and moved towards a position that could cause more damage to the interceptor...

……

In short, after some inhumane and unethical attacks, the unbearable Interceptor finally gave up the idea of ​​entanglement, broke away from the siege of many automatic dolls, and disappeared in the In the darkness.

Seeing this, the automatic dolls quickly pulled back to the side of the fortress. The remaining ultra-small and small dolls shut down and were put away by Liszt who opened the door. The big dolls turned into sword-like weapons and were played Kimberly, the doll holding Mordred, was carried behind her back.

Putting her original weapon, it was naturally thrown into the space pocket as a spare.

So in the end, although there are still only two automatic dolls around Liszt, Polla and the doll Kimberly, in essence, there are still several dolls hiding on them, just to avoid Liszt's mental pressure from being overwhelmed. Great, it just didn't start.

Then Liszt disassembled the fortress, turned it back into the original soil, resisted Anriette, jumped onto the body of Polla who had become a huge sword, and was carried by Polla and accompanied by the puppet Kimberly. The direction of the infirmary rushed over.

(End of this chapter)