People are in the heavens, playing until they lose contact

Chapter 203 Maintenance
But before Liszt slept for a long time, he was called again by Glenna who came to the door.

"Why?" Liszt, who was a little irritable and had a headache because of the interrupted sleep, asked Glenna as if I was very upset.

"Commander's order, let us start repairing the damaged doll immediately. Didn't we promise to bring you with me to let you see it? If you don't want to, you don't have to come." Greena was very calm replied.

"Didn't you say that we have to wait until the damage of this battle is summed up before dealing with it? Why do you want to repair it quickly?" Liszt asked strangely.

"Maybe the commander has other arrangements. Just say whether you want to come or not."

"I'm already up, what do you say?"

"Let's go then."

Then Liszt left the dormitory with Greena, but he didn't go to the maintenance room immediately, but went to the bathroom in the middle of the way, washed his face with cold water, and after he was completely refreshed, he followed Greene. Na went to the room with a huge disk-shaped device in the middle. Some transparent devices like training chambers were lined up in front of the wall at the end of the room, and there were doll-like human figures in them, quietly restraining them. In it, waiting to be used by people.

Afterwards, those battle-damaged dolls that needed to be replaced were carried by the intact dolls at the base, and they all lay on the medical beds in front of the wall on one side of the room one by one, with various lines connected to their bodies. Under the operation, all the data are presented on the data panel she is holding in her hand.

In addition, on the ceiling of the room, there are several sets of steel rails, and foldable handles are hidden on the wall of the ceiling, waiting to be used and activated.

"Okay, let's start." Greena, who had been operating the instrument since she came in, said suddenly.

Then, without talking nonsense with Liszt, he started to operate on the panel in his hand again.

So the next moment, only a slight sound, as if the sound of an electric motor, sounded in the room, and the two grippers quickly stretched out from the ceiling, hovering in the shape of a disc like two ghost claws. above the large instrument, and then began to move, and under the constraints of the track, ran above the transparent cabin standing against the wall.

At the same time, one of the cabins also opened to both sides with the sound of jet pressure, exposing the restrained puppet inside.

Then, the two robotic arms began to extend downwards, each grabbed one shoulder of the puppet, and hoisted it to the center of the disc-shaped instrument—the one that rose out of the disc just now when the instrument was activated In the middle of the two pillars, there was a pause, and the puppet stood on the instrument in a standing posture under a strange binding force.

Then, two huge translucent covers rose out of the disc and closed, forming a barrier like an upside-down bowl, covering the entire instrument inside, completing the de facto communication with the outside world. partition.

After that, the disc-shaped instrument chassis lighted up slightly, and the fine laser beams shot out from the bottom of the metal pillars erected on both sides of the doll, shining on the doll's feet, and then began to rotate— —

Just like in a variety show broadcast by a certain satellite TV, the facilities for binding the answering guests into mummies slowly rotated along the track left on the disc.

Then, the image belonging to the puppet was shed, replaced by the specific image of the damaged human figure lying on the instrument.

"This is, 3D printing technology?" Seeing this, Liszt guessed thoughtfully.

"Yes." Greene affirmed.

"But the spare body of this humanoid looks no different from the mimic puppet operated by the humanoid." Liszt followed up and asked.

"It's the same thing. It's just that the material used is much better than the dolls used to imprint the human form. Otherwise, how do you think those dolls with imprinted images are capable of serving as soldiers?" Greena asked rhetorically.

"..." Liszt was silent, he should have thought of it earlier.

Even the so-called 3D printing effect in front of me is just a more substantial application of the imprinting technology!
Otherwise, how can all humanoid bodies be universal?

It can't be to produce a human form, but to continuously produce a bunch of spare bodies that retain her image?

How does the producer know which doll is more severely damaged in battle and which doll will never have problems?

Therefore, unified standards are the most important, and maverick is unacceptable.

……

Just like that, after about 10 minutes, an intact human figure of the base reappeared in front of Liszt and Greena.

But it didn't wake up, it just had the image of a battle-damaged figure next to it.

So after the image was created, the cover above the instrument was opened again, and the mechanical arm on the ceiling lowered to grab the figure standing in the instrument again, and transported it to the empty instrument next to it. On the metal bed, Greena called Liszt up to connect various lines, and the data belonging to the war-damaged dolls began to be imported into the new dolls according to the established procedures.

Still only five or six minutes later, with the sound of the machine's prompt, the new doll, who hadn't moved at all, opened his eyes and sat up from the bed.

"How do you feel?" Greena asked the new figure with a smile.

"Everything is normal, there is no problem." The new figure clenched its fist, stretched out its hand, and responded with a smile.

"Well, there is no problem on my side. Congratulations, you are back to health again." Greena congratulated.

"hey-hey."

"I have other work to do here, so I won't call on you, you can do it yourself." After finishing speaking, Glenna once again set her sights on the panel in her hand, and manipulated the robotic hand on the top of the room to grab the The abandoned humanoid body was transferred to a special parking location, and then another war-damaged humanoid body to be replaced was transported to the instrument bed.

After that, it was the replay of the previous scene, over and over again...

However, in less than two hours, all the battle-damaged dolls that needed to be replaced were replaced, and they became ready-to-combat forces, ready to be placed on the battlefield.

It's just that Greena still didn't announce the end of the work here, because immediately after, those little broken figures who had injuries on their bodies and needed to be repaired by the base came to the maintenance room one after another, and stood very consciously at the center. On the disk equipment, then the partition protective cover was closed, and the 3D printing column was activated again. The damage on the small broken humanoid body was repaired by the 3D printing equipment, and quickly disappeared and recovered, and the humanoid figure returned to its intact state... …

In short, after spending more than an hour, all the dolls injured in the base defense battle were all repaired, and the soldiers in the base returned to a complete state.

"How do you feel?" After sending away all the dolls, Glenna continued to operate the equipment to transfer the remaining discarded doll bodies to a special disposal channel, and Glenna, who was performing follow-up processing, raised her head and asked Liszt.

(End of this chapter)