The bard wanders into the entertainment circle

Chapter 36 Proud but Not Arrogant

Zhen Zhibing himself is enough to be hated in another "The Legend of Condor Heroes", if he acts so annoying again now, I'm afraid it will make people poke him for the rest of his life.

If this is done well, wouldn't he transfer all his hatred to himself?

However, only by acting well can one gain more experience, so why act badly?
If you want to act well and make people not hate you, then you can only play Zhen Zhibing in a good way.

It would be even better if others would feel sorry for it when it was broadcast.

A person who is pretty good in himself, but in the end he did that kind of thing for Xiaolongnu, which also shows the charm of Xiaolongnu.

Of course, this is just Chen Shuo's idea, and he can't decide whether others will think so.

What he wants to do now is to lean as much as possible in this direction.

But he is not qualified to change the script now, so he can only add some small actions to the current inherent plot to achieve his goal.

Yu Bo taught him this.

In the play "Xiao Shishilang", Lian Chengbi can be said to be a person who has done all kinds of bad things and fell into destruction step by step.

However, in Yu Bo's view, this is not the case, or he does not want to act like this.

In his view, although Lian Chengbi is a real bad guy, there are reasons for what he does, which are all caused by his own emotions and the influence of the outside world.

In his heart, he was not a born bad person, but was forced by current events and had no choice but to come to this point.

He wants to show this kind of entanglement, so that the audience will hate and love Lian Chengbi at the same time.

In other words, even when you hate him, you can't help feeling pity for him.

Chen Shuo asked himself that he didn't have Yu Bo's ability now, but he could use a trick to combine Zhen Zhibing and Sima.

One of the two is a disciple of Quanzhen Sect, the largest sect in the world, and the other is the young master of the Sima family. This background also has something in common.

It's just that Zhen Zhibing's temperament is a bit arrogant, while Sima Xiang is more peaceful.

If he can show pride without being arrogant, looking down on or ignoring Guo Jing, but without losing courtesy.

When facing the Seven Devils of the South of the Yangtze River and the elders of the master's generation, he restrained his arrogance and was respectful and polite.

When he was finally hit by a palm, he was a little relieved in surprise, and then took advantage of his strength to walk away.

Surprised by Ke Zhen'e's attack, but also understands that he wants to vent his anger on his apprentice, out of respect for his chivalrous behavior, he is willing to do it.

Presumably the effect would be quite different.

Thinking of this, Chen Shuo began to copy the lines in the notebook line by line.

According to Li Defu's teaching, analyze the emotion of each sentence little by little, and try new ways of punctuating sentences.

In the evening, before the director team came, Ma Tao led someone to hang Chen Shuo again, and asked him to get acquainted with Mr. Wias to ensure that there were no omissions.

When the director's team arrived, the whole team came alive and began to operate in an orderly manner.

At this time, Chen Shuo also saw the milk bag, and he was waving at a young man.

When Chen Shuo saw him, he smiled and waved to him.

Li Yapeng is still very dedicated. He didn't come during the day because there was a scene. He really couldn't leave. He went to the scene before filming and during rehearsal.

This also made Ma Tao breathe a sigh of relief. After all, the Wia moves they designed were based on the assistant in the morning, and they were different from Li Yapeng's personal appearance.

The special feature of wire drama lies in the cooperation between actors and wire masters.

With a good cooperation, the filming is not only smooth, but the effect is also very beautiful.

If the cooperation is not good, either there is a problem here, or there is a problem there, not to mention the effect, it is lucky not to be injured because of it.

After running in several times in a row, after confirming the camera position, lighting and other preparations, with a voice: "Action!"

The scene has officially started shooting.

In the camera, Li Yapeng came out from the dome, looked in Chen Shuo's direction, came over and asked, "You, are you calling me? What's the matter?"

The camera shot across, revealing Chen Shuo's figure, framing the two of them in the mirror.

At this time, Li Yapeng was wearing fur and fur on his head, and his tone of pretending to be simple and honest made him look very inconspicuous.

And Chen Shuo is handsome, with a bun, wearing a Taoist robe, and a tall and straight figure, like a green pine and a white crane.

As the saying goes: practice so that the body looks like a crane, and there are two scriptures under a thousand pine trees.I came to ask and said nothing, the cloud is in the blue sky, and the water is in the bottle.

Choose to live in a secluded place and enjoy the wildness, without sending or welcoming all year round.Sometimes it goes straight to the top of a lonely peak, and the clouds scream under the moonlight.

Among the Taoists, there are many long-lived things such as pines, cranes, and turtles.

At this time, he deliberately held the bird-shaped shelf, making him seem like a Taoist fairy boy.

His eyes were slightly closed, his eyebrows and eyes were slender, and he heard Li Yapeng's question.

When the camera passed by him, the slender eyes opened slightly just right, and looked him up and down.

Then he lowered his eyes again, and asked in a calm tone: "Are you Guo Jing?"

"I am."

As soon as Li Yapeng finished speaking, Chen Shuo stepped forward without saying a word, and slapped him on the chest.

Li Yapeng staggered back, Chen Shuo jumped up, spun his body, caught up and hit him on the shoulder again.

Compared with Li Yapeng's clumsy and beaten movements, the smooth and flowing movements of this set of movements are more obvious.

"Why did you hit me?" Li Yapeng asked at this moment.

However, Chen Shuo kept moving, and he hit again, and the two exchanged a few moves.

Li Yapeng used wrestling techniques to catch Chen Shuo, trying to throw him out, but was easily resolved.

Seeing Li Yapeng chasing after him, Chen Shuo kicked his feet, jumped up following Master Wia's upward pull, and kicked on Li Yapeng's chest.

On the other side, the two people in charge of Li Yabon Weiya also pulled him violently, pulling him away.

When Chen Shuo made a handsome freeze, the director yelled: "Crack!"

During the rehearsal just now, the director saw Chen Shuo's smooth movements, so he decided to set up an extra camera position to shoot the panorama.

This required a relatively high level of movement for the two of them, and the two slowed down the speed of the movement according to the pre-set movements.

The main reason is that Chen Shuo needs to take care of Li Yapeng's speed. If the speed is too fast, he is afraid that he will not be able to catch it.

This scene was filmed three times. The first time when Chen Shuo shot Li Yapeng, he couldn't stand still and fell to the ground.

During the last kick for the second time, Chen Shuo didn't dare to use any strength, and Li Yapeng swayed a bit, but he didn't implement it on his body.

The action drifted, and it seemed a little fake, so I took the third shot again.

After three times, I took some close-up and close-up shots for later editing, and the scene was over.

Afterwards, the Seven Monsters of the South of the Yangtze River came on stage and walked around again.

Since everyone does not need to take any action, they just need to stand in place, so the walking and rehearsal are over once.

(End of this chapter)