Please, come home and practice the piano

In Chen Xuan's subjective consciousness, in the performance of classical period works, all materials other than the main key need to be returned to the statement of the main key in the recapitulation, so that unity in the sense of musical structure can be achieved.

And this unity must appear on a large scale and over a long time.

This can reasonably explain why Chen Xuan focuses on the performance of complete long sentences.

In the classical sonata form, the emphasis on long sentences is another aspect of emphasizing the structural proportions between parts, and in this way, it highlights the balance and symmetry unique to the classical style.

Throughout Chen Xuan's playing of the first movement, this balance is always maintained.

But before entering the ending, she took the initiative to break this balance

In the process of playing alternately with the piano part, the flute part is obviously developing a small motive. At this time, it sounds to the audience that it is not just a motive dissonance, but a substantial development of dissonance.

The broken balance is like an inflated balloon with a hole cut open, and the music is like walking on a tightrope. It makes people uneasy and at the same time makes people look forward to what will happen next.

However, at this moment, the piano and the piano stopped at the same time.

For a moment, the entire hall seemed to have entered a vacuum, but it only lasted less than a second. The flute suddenly let out a high and bright whistle alone.

At the end of the first movement, the flute solo cadenza arrives.

At the center of the stage, Chen Xuan was locked in gazes. The cadenza was more like an improvisation, a fantasy that suited the time and place. The same cadenza was performed differently by each performer.

Even if the same performer plays the same cadenza of the same piece, it will never be completely repeated twice.

Because there is no music score for Cadenza.

People are always full of fantasies about unknown things.

Just listen to Chen Xuan's fall, and then a series of ascending musical scales rush into the sky, leaving behind a series of glimpses in the mid-air of the stage. The connected tunes are like stars in the night sky, hidden under the twinkling night sky, which is both subtle and full of meaning. Kind of profound.

The fast and dense sound group breaks away from the limitations of the piano, becomes tight in strength, and becomes relaxed in hazyness.

The back and forth between tightness and tightness arouses the ears of every listener, without losing the sweetness in the tone, like red wine paired with juice, like ice cream dotted with cheese, like a pocket watch decorated with lace, and the beauty and elegance are also like this vivid theme of the movement.

This time, not only had the art candidates never heard Teacher Chen perform such a cadenza, but it was also the first time for Ang Lee to hear this cadenza.

Ang Lee felt that it was probably the first time for Chen Xuan to play this version of the cadenza.

From the perspective of a contestant, Li An admires Chen Xuan from the bottom of his heart.

In terms of his personal experience on stage, he has never improvised a cadenza during a game because this behavior is too dangerous.

Every cadenza he played during competitions was framed in advance so that the piece would not suddenly break on the competition stage and he would not know how to play the next section.

In other words, most of the contestants’ cadenzas are produced in this way, and what the judges and the audience hear are half-finished products.

The reason why Ang Lee was so sure that the cadenza in front of him was improvised by Chen Xuan was because none of the two times the two of them met at the Giger Art Gallery in the afternoon were cadenzas with this structure.

What's more, it's his feeling. He feels that only when the music reaches this point can it play a cadenza that echoes the beginning and end of the previous music.

In short, without all the emotional foreshadowing of the first movement, there would be no cadenza of this effect in the end.

It has to be Mr. Xiaomi. Let’s not talk about the quality of this cadenza. Just his courage to take the initiative to improvise in the international competition is enough to be admired.

This is completely different from his impromptu performance in the Xinhai Cup finals. Chen Xuan was proactive, and he was so damn passive. Can it be the same?

The cadenza echoes from beginning to end, and when the piano steps on the tail of the cadenza and joins in at the end, Chen Xuan returns to the calmness at the beginning, in sharp contrast to the high-spirited piano, and ends with a calm return to the main note.

When the last note of the first movement fell, the audience in the front row could clearly hear a deep breath.

Chen Xuan took three seconds to adjust her breathing. After a moment, a lyrical and beautiful slow piano sound sounded from behind her.

The second movement, Adagio non troppo, is not too slow Andante, or moderately slow, in the key of G major.

The poetic mood of three beats is in sharp contrast to the fast first movement, which is still Mozart's signature slow rhythm, with a hint of the fragrance of afternoon pine mushrooms.

There was only ten measures of piano accompaniment, but it took a long time to hear the flute sound. Chen Xuan held the flute and blew air, using her fingers to match the breath to play the hazy theme. The soft and progressive melody occasionally gave people a sense of calmness while being full and smooth. It was like a sound coming from afar.

When transposing for the first time, the flute transitions into ornamental tones.

When changing the key for the second time, the flute sound transitions into darkness.

During the transition between the two modulations, Chen Xuan always maintained a long uninterrupted playing style. The music was full of fluidity in her coherent performance, making people feel as if time was passing by in the music.

Xiao Hongxia was deeply touched by the musical image interpreted by her lover in this movement. She still remembers that Chen Xuan played this movement with a hint of girlish fantasy during the art examination stage.

In the blink of an eye, several years later, the other party played this section again. It had been washed by time and was no longer immature. Under Mozart's clean musical lines, it was condensed and indifferent, as if the autumn breeze was refreshing. The romantic spring had gone, and the enthusiasm of summer was also there. Gradually fading away, revealing a season about to be harvested.

The child has really grown up. After hearing this, Xiao Hongxia's thousands of words accumulated in her heart finally converged into this sentence.

The grown-up children can make their own decisions, Xiao Hongxia thought to herself.

When the jury had lunch together, Debst once again expressed the hope that Chen Xuan could go to France.

Xiao Hongxia's first reaction at the time was that Chen Xuan could go this time, but then she thought of Chen Xuan's current living situation.

Is Chen Xuan, who has already entered a stable life, willing to change the trajectory of her life again for the sake of the flute?

Two years is neither long nor short.

She has met Li An, she has also met Chen Xuan's parents, and she heard from Chen Xuan that the dinner for the four of them went smoothly last night.

It seems that if nothing unexpected happens, within the next two years, the matter of the two children will be settled.

If Chen Xuan chooses to go abroad at this time, all plans will be disrupted.

From her point of view, she wanted Chen Xuan to go but also didn't want Chen Xuan to go, which was very contradictory.

She plans to tell Chen Xuan the news after the competition is over. In the end, it still depends on how the two children discuss it. Generally speaking, there are advantages and disadvantages to each. Fortunately, this time the opinions of others will not count.

The cadenza of the second movement also comes near the end. After a series of key changes, Chen Xuan seems to intend to return the music to balance at the last moment.

The piano accompaniment stopped, and she first developed the theme with a slow semi-repeated vomit with a few decorative notes, and then performed a modulation within the cadenza.

The slow pace of the music immediately creates an auditory change.

It is this tonal vision that moves within a small range that allows Mozart to utilize and explore rich musical potential in extremely diverse and delicate ways without losing the rigor of classical works.

Tension and emotional complexity require greater contrast between modes, which is another point where Chen Xuan and Ang Lee disagree.

Ang Lee believes that the same melody has different meanings in different lines.

Chen Xuan believes that no matter what key it is in, the character of the melody will not fundamentally change.

At the end of the cadenza, Chen Xuan once again used Mozart as an example, allowing the melody to shuttle between the two tones, and finally move towards unity.

The echoes between small details and large outlines interweave an interesting and surprising musical emotional map. As the piano is added again, the flute settles firmly on the G note after a set of elegant vibratos.

The second movement ends.

After playing the second movement, Chen Xuan barely paused. For a moment, she nodded with the flute head, and used her fingers and breath to blow two consecutive descending intervals of thirds, starting from the la note. . The third movement, the last movement of the whole piece, allegro, Allegro, D major.

After the adagio of the second movement, the third movement returns to a bright and energetic fast run in the form of a rondo.

"Rondeau, rondeau form."

Boss X explained to the child again.

Wang Xiaohu: "I know the rondo form."

Xiaobei: "I know too!"

Marco: "I know that too."

Tang Xiaoxing didn't understand why the three of them had such a big reaction for a moment, so he asked in a low voice. Xiaoche laughed and said that he knew it too.

Liu Fengrui was puzzled: "Why do you feel that I should know too?"

Wang Xiaohu: "You don't know."

Liu Fengrui: "Why?"

Wang Xiaohu: "Then please explain."

Liu Fengrui: "Ah."

Accompanied by the humorous flute sound coming from the stereo, the conversation between the two sounded like Tyson beating Hawking.

Boss X: "Wang Xiaohu, please tell me."

Wang Xiaohu coughed and imitated the teacher's tone and said: "This rondo is easy to understand."

Xiaobei: "Pfft"

Wang Xiaohu didn't care. He looked at the confused Liu Fengrui and raised his hand and turned his wrist: "You have to remember four words."

Liu Fengrui: "What is it?"

Wang Xiaohu: "Back to the beginning, back to the beginning, back to the beginning."

After a while, "I'll give you an example, doesn't your mother always make snacks at home recently?"

Liu Fengrui interrupted: "I haven't seen my mother for a long time, and my mother can't even cook. It's better to count on you than on my mother."

Children: "Hahahaha——"

Wang Xiaohu: "Be serious, for example, for example, do you understand what an example is? Just yesterday, you were guiding me to write an essay."

Liu Fengrui: "Okay, okay, my mother suddenly enlightened and learned how to make snacks. Then what happens."

Tang Xiaoxing asked Xiaoche on the side. Xiaoche looked away from the big screen with a puzzled look. Tang Xiaoxing asked in a low voice: "Are they usually so funny?"

Xiaoche smiled and nodded.

Wang Xiaohu: "Forget it, just think about yourself. If you bake a cake in the oven at home, do you have to go to the kitchen several times to see if the cake is ready for the test?"

Liu Fengrui seemed to understand immediately: "Go back to the beginning?"

Xiaobei: "Also, think about it after we go back this time, will you feel a sense of comfort when you walk in the door?"

Liu Fengrui thought: "It really does exist, but is this what a rondo feels like?"

Senior Sister Ji Yang added: "You two have forgotten the most important point emphasized by the teacher."

Wang Xiaohu and Xiaobei: "Huh?"

"The comfortable feeling of returning depends on the reappearance of the scene, which means that before reappearance, we must first complete a long journey."

After Xiao Ji added, he continued to look at the big screen.

Regarding the explanation of Rondo, Wang Xiaohu asked Li An on the train to Yanjing. Li An gave the above answer to all the children. Naturally, Xiao Liu had no chance to get the first-hand hot answer.

But despite this, Xiao Liu still got the essence of the rondo through Ji Yang's masterful supplements, "I understand, senior sister!"

Not only Xiao Liu understood it, but other children present who were not in the No. [-] piano classroom also deepened their influence on Rondo.

‘The comfortable feeling of returning depends on the reappearance of the scene, which means that before reappearance, we must first complete a journey. ’

Mr.

It's hard for Li An to deceive such an outstanding girl as Chen Xuan with his mouth.

No matter, this sentence will be used in his update tonight.

After understanding exactly what a rondo is, the children returned to Teacher Chen's performance again. It is not difficult to find that before each theme returns, Teacher Chen will leave the music for a long time so that they forget it, and when the theme appears again, For a moment, the renewed sense of satisfaction made them unable to extricate themselves.

When everyone was looking forward to what kind of cadenza Chen Xuan would present in the third movement, Chen Xuan did not disappoint everyone.

The piano stopped, Chen Xuan's fingers jumped, and he began to play variations. The sound of the flute was like haystacks in the fields under the sun. The simple warmth formed a sharp contrast with the rugged rocks standing on the coast of the sea.

Suddenly, the audience's hearts tightened, and the sound of the flute suddenly drifted under the moonlight wind and snow, and the three consecutive vomits under the cold silver color made people feel chilly.

Then there was a long bass sound, and the soothing feeling came back again. A gentle stream of sound swept through the sleeping fields like a gentle autumn wind, and the stage was filled with golden color.

Finally, Chen Xuan used a short motive to give the piano an interface, and the piano partner took over the music and played directly towards the end.

When the theme appeared for the last time, the audience realized that the melody in their hearts had never been far away from them.

When all the colorful subjective imaginations finally returned to the palette in Chen Xuan's hands, at the end of the song in D major, Chen Xuan once again brought the music back to calm.

Just like when she was taking the art exam, she felt that this music should start and end in peace.

She did so that year, and she still chooses to do so today.

Maybe this was her. Listening to the applause and cheers from the audience, she put down her flute. Even if she didn't make it to the third round and didn't have the chance to play this piece in front of so many judges again, she had no regrets.

Fallen Bell has been here.

She opened her eyes gently, and the dazzling stage light made her almost unable to control her tear ducts. In the haze, she seemed to see a girl with a long ponytail walking towards her.

The girl was wearing her most familiar white T-shirt and blue jeans, holding the flute she was most familiar with.

Seeing the girl getting closer and closer, she stepped forward to meet her, and the girl walked directly into her body, as if the rondo that had been away for more than seven years was coming to an end again.

He covered his chest and bowed, still the same.

“Wow————————