Please, come home and practice the piano

Chapter 51 51. Open it for yourself
Timid people are always fully prepared for the unexpected.

So Ang Lee felt that he was a bold person, and even had a strong ability to adapt.

They come, the security.

'The countdown is on, please make a choice as soon as possible'

[Option [-]: Collect, the items will be automatically included in the inventory]

[Option [-]: Give up, it will triple the probability of digging the best rewards for the next upgrade]

Tips in small print below: The current probability of digging top-quality props is 10%.

Sure enough, it is a rare item judged by the system, giving up the rewards for the first two times can only double the probability of getting the best rewards next time.

so what.

' Charge. '

This time there is no reason to give up.

The screen flickers for a moment and returns to the panel.

"Get mutilated notes."

Li An couldn't wait to open the inventory.

Skipping the collection guide, his consciousness was focused on the parchment scroll that was glowing with lavender light.

After a while, the scroll slowly floated in front of his eyes.

It seems that a brand-new piano world is about to expose its mysterious corner.

As the scroll unfolded automatically, a dazzling purple light flashed.

Li An opened his eyes again, and a paragraph of text had appeared in front of his eyes.

'Piano playing requires a cool head and a fiery heart at the same time, the two cannot be separated - Samir Feinberg'

After reading the words on the title page, Li An's first reaction was that he understood, and his second reaction was that he was not sure.

Based on his current analysis, the two conflict on multiple levels.

Especially in the process of piano performance, it is actually difficult to keep pace with both inner emotions and clear playing ideas.

One will always dominate.

Either without the interference of the mood of the venue environment, the performer walks onto the stage and plays a piece of music from beginning to end according to his established ideas.

The performers of this route belong to the Intellectual School.

Either it is based on one's own mood of the day, or even a sigh and cough in the audience can affect the performer's thinking of playing, and bounce a chord that was intended to be played continuously in the form of arm staccato.

Players in this way belong to the perceptual school.

Ang Lee believes that he is a pure intellectual. When he gets a piece of work, he must make a framework based on the age of the work, the style of the composer, and the strict musical form, and then practice each piece to the extent he expected. , and finally no matter when and where you play, you will follow this version.

The original owner is an out-and-out sensualist. No matter he is practicing Chopin or Czerny, whether he is practicing Beethoven or Bach, what the original owner plays is a kind of music that breaks the frame, and he can show the dripping and delicate in his performance as he likes. Even after kissing my senior sister in the piano room, I can play the passionate revolutionary etude with a sour smell of love.

I have to say that this is also a talent, at least Ang Lee thinks he can't do it.

Thinking of this, Li An probably understood why the original host university was scolded for four years.

In his memory, Wei Sanwan was a violent teacher who was extremely demanding on the students' playing style. When he met the original master, an introverted student who wanted to show his personality, the result was self-evident.

Most teachers seem to like students who are obedient and can learn according to their own ideas, including Li Anyin who also has this kind of mentality-I am a teacher, you should listen to me.

But is it completely wrong not to follow the teacher's thinking completely?
In fact, if you think about it, the original owner is not so wrong, it’s just a matter of stage. If the original owner is willing to work harder to practice the basic skills solidly during college, as long as he keeps practicing, he may not be able to find his own direction in the future.

Just imagine if everyone practiced according to one framework, then 50 years later there would be no difference between the performance versions of all repertoires.

Judging from the current feedback from the music market, listeners seem to have begun to complain about this problem.

"Piano playing requires a cool head and a fiery heart at the same time, and you can't have one without the other."

Sighing, Li An's eyes returned to this sentence again, feeling a little emotional in his heart.

Although he is still not sure about the connotation of this sentence, he reflected from his playing style that as a teacher, he may need to change his perspective to look at all kinds of different students.

Teaching students according to their aptitude should be taken further, perhaps a certain future performer is waiting for him on his way of teaching.

With thought, he calmly turned to the next page.

'Behind the free and emotional performance, there is always strict logic and profound thought as the basis. '

'Art and life are closely linked, we can never just pay attention to the form of the work, we should find out the content hidden in the work as much as possible from all aspects, they are hidden in life. '

A master is a master, and has reached the state of inlaying art and life.

Li An continued to turn the page with praise in his heart.

Page after page, time records his expression and gaze.

Or stop to think, or frown and grin.

Li An is like a wilderness that has been drought for a long time, and it is frantically absorbing rain, dew and nourishment.

Unaware that an hour has passed.

Turn pages.

'Finger part. '

' Take control of that most unpredictable and critical strike moment - the moment when the fingers press down on the keys and the hammers actually strike the strings. '

'1. Each finger should be practiced separately, finger technique exercises must have a clear purpose, but must be objective and reasonable. '

'2. The content of finger exercises should be much simpler than the technical difficulties in the work. The teacher or player must come up with exercises that are easy to master and easy to repeat many times. '

'3. Reasonably resolve the finger-difficult passages in the works, break them into parts, and practice step by step. '

'4. Reasonably arrange the practice time, logically plan the expected purpose and training content in the short term, and regularly check the effect achieved. Here, the player should not rely too much on finger muscle memory. '

After reading this, Ang Lee seemed to have caught something in an instant.

"Don't rely too much on finger muscle memory."

"Don't rely too much on finger muscle memory"

Muttering, his eyes quickly returned to the first item, "Finger technique exercises must have a clear purpose, but must be objective and reasonable."

Don't rely too much on the necessary purpose. Objective and reasonable
Yup!

The problem of my thumb is entangled because I rely too much on my finger muscle memory during practice, and the finger muscle memory of this body is not his, so there will be conflicts between the two.

The solution I came up with for this was to hope that through a lot of repeated practice, I would use only my own part of the finger memory to cover the original muscle memory of the body.

But isn't this body his own now?
the answer is
So why can't you build a new finger memory in your own body?
Li An felt a sense of enlightenment.

There seems to be no need to erase anyone's existence at all.

The part of you that was once yours doesn't have to be perfect.

Thinking of this, the stale breath that was stuffy in Li An's heart was slowly released.

Turn the pages and turn the pages!

' An experienced teacher or player is able to substitute one fingering for another if required. '

Even substitute fingering came out

Li An swallowed his saliva, and immediately forgot what incomplete notes were.

(End of this chapter)