Entertainment since 1999

Chapter 98
"Swordsman" started filming in an orderly manner.

One-third of Lin Pingzhi's role was filmed, and the next focus of the crew was Li Yapeng's Linghu Chong.

Han Qiao didn't pay attention, but from Miao Yiyi's gossip, Li Yapeng worked very hard in filming. During this time, he was almost isolated from the world and lived like an ancient person.

Moreover, Huang Jianzhong admired Li Yapeng's "Linghu Chong".

Not only prepared a lot of "Linghu Chong" character cards on the set, but also often gave Li Yapeng private lectures.

Han Qiao was not surprised by the news. Shao Bing's role in "Linghu Chong" was Huang Jianzhong's suggestion to the bearded man.

Li Yapeng and Shao Bing have one thing in common, they both have a "cool" temperament, this kind of "cool" is very appropriate for Linghu Chong's cynicism.

However, Han Qiao will not sit still.

During this period of time, he had no acting, and he lay in bed watching "Swordsman" day and night. Li Jie's Lin Pingzhi in the original "Swordsman" was actually well done, and he played Lin Pingzhi's "sinister" side.

What makes people criticize is that Li Jie played Lin Pingzhi into a voluptuous pervert.

You know, in the original book, Lin Pingzhi's martial arts is not high, but he is a chivalrous man, pure and arrogant, beautiful and filial.

It's just that after experiencing the sinister and cruelty in the ups and downs, he went to self-destruction with a single thought, and since then he has killed cruelly and resolutely.

But no matter how you look at it, Lin Pingzhi is not a pervert, perhaps, paranoia is closer.

Therefore, when Han Qiao performed Lin Pingzhi's role before he went to Mount Hua, the focus was on performing Lin Pingzhi's innocence and kindness.

After entering Mount Hua, Lin Pingzhi gradually went into darkness.

………………

Two weeks later, Han Qiao played.

When Han Qiao rushed to the set, he felt the subtle changes in the atmosphere of the crew. The staff of the crew were busy and orderly. They went on the set day and night for two weeks, but they didn't complain much and were full of energy.

Leading actor Li Yapeng's "entering the play" gave the crew a lot of confidence.

Huang Jianzhong seized the time to shoot the Linghu Chong scene. This scene is about Lin Pingzhi and Yue Buqun.

The director is the bearded man.

Han Qiao was doing makeup in the background and met Weizi who played "Yue Buqun".

Weizi is a highly respected artist, and also the acting director of "Swordsman".

Han Qiao was very polite and greeted warmly: "Master Weizi, good evening."

Weizi looked at Han Qiao in the mirror and smiled: "Han Qiao, hello."

In this scene, Lin Pingzhi overheard Yue Buqun practicing the "Evil Resisting Sword Manual".

The makeup artist was painting Weizi, but Han Qiao didn't urge him to sit down in a corner, took out the script and studied it.

For Lin Pingzhi, this scene was a moment of complete darkness.

Lin Pingzhi was humiliated and went to Huashan as a teacher. He thought that he would have a "family" from then on, but he never thought that the disciples of Huashan School would bully him, and the former rich and noble son fell into the mud.

At this time, Lin Pingzhi was burdened with blood and hatred, and his heart was full of unwillingness and darkness. The care of his senior sister Yue Linshan and master Yue Buqun became the only light of his life.

At this moment, his light went out.

The master's care is for the purpose of "dispelling evil swordsmanship", and the senior sister has another purpose.

Han Qiao carefully figured out Lin Pingzhi's psychological changes.

Weizi saw it in the mirror and smiled: "Han Qiao, Lin Pingzhi's drama is full today."

Han Qiao closed the script and was very polite: "Teacher Weizi, you are a senior, please take care of me later."

Weizi's "Yue Buqun" is the most classic of all "Yue Buqun", with a soft and ruthless gesture, and a lifelike image of a sanctimonious hypocrite.

Wei Zi is not polite, he has a good impression of Han Qiao, Han Qiao was very polite and respected his seniors in the training camp, after joining the group, Han Qiao is also very dedicated in filming, without the impetuosity of young people.

Weizi smiled: "No problem, after all, in the play, you and I are master and apprentice."

Han Qiao didn't hesitate after hearing this, stood up solemnly, bowed respectfully and said, "Disciple pays homage to Master."

Wei Zi was surprised by Han Qiao's actions, and said in surprise, "Han Qiao, what are you doing?"

Han Qiao didn't answer, but kept his posture stubbornly.

Weizi smiled wryly: "Han Qiao, this is "forced palace"."

Han Qiao didn't make a sound and continued to maintain his posture.

After a long time, Weizi shook his head helplessly: "Well, Han Qiao, since you and I have a mentor-student relationship in the play, I can promise you that you can ask me if you have any questions on the set of "Swordsman."

Han Qiao bowed deeply and said respectfully, "Thank you, teacher."

After putting on makeup, Weizi sat on one side, watched Han Qiao put on makeup, thought for a while, and opened the script: "Han Qiao, while you are putting on makeup now, let's analyze Lin Pingzhi."

In this scene, Han Qiao has no lines, and Yue Buqun and Ning Zhong are arguing, and Yue Buqun throws the "Evil Resisting Sword Manual" off the cliff as a show of determination.

Lin Pingzhi saw it secretly from the window.

"No problem, Teacher Weizi." Han Qiao thought for a while, and said seriously: "Lin Pingzhi in this scene has been completely blackened. I think this is actually a kind of relief for Lin Pingzhi..."

"The word blackening is very precise," Weizi nodded, "Han Qiao, you know Lin Pingzhi very well, but the performance is not only known by yourself, but also by others."

"Voice, posture, eyes, lines, appearance, these are the external aspects of performance. It is the technique, not the way. What we have to do is to let ourselves find the way, that is, to become a character."

Han Qiao pondered: "Teacher Weizi, is this the experience school?"

Weizi smiled: "Experiential school is not so simple, what I said is simply "entering the drama". '

"I've seen you perform Lin Pingzhi before, and it's pretty good, but there's one thing I can't figure out. Your performance has traces of imitation."

Han Qiao was taken aback, Weizi was indeed an "old drama player", and he could tell at a glance.

Weizi said seriously: "I don't know where you imitated, but from now on, I hope you can abandon "imitation", it will not be good for your future."

Han Qiao nodded and sat up straight: "Good teacher Weizi."

"We continue to talk about "entering the play". It is very difficult to enter the play, but an excellent actor must pass this level." Weizi said in detail: "The easiest way to enter the play is to let yourself live in the "protagonist" for a long time. In a single environment, subtly, it will naturally enter the play."

"Li Yapeng is like this during this time, his performance is very clumsy, but his temper is very stubborn." Weizi looked at Han Qiao: "The biggest difference between you and him is that your performance is very spiritual, which makes you have another A possibility of "entering the play"."

Weizi spoke in detail, but Han Qiao didn't know much about it, so he nodded subconsciously.

Weizi smiled: "I call this kind of entering the play the feeling of the scene."

Mind sensing?

At this time, Weizi's temperament suddenly changed drastically. He was vicious and evil, and looked at Han Qiao with seductive eyes: "Lin Pingzhi."

Han Qiao looked into those eyes, lowered his head subconsciously, and called out respectfully: "Master."

Weizi smiled: "Look, you just got into the drama just now. This kind of subconscious reaction is Lin Pingzhi's most real reaction."

Next, Han Qiao benefited a lot, and Wei Zi shared his experience of "entering the drama" with his heart and feeling.

There is another chapter tonight, please recommend tickets and rewards...

(End of this chapter)