Chapter 15 New Sword Art

In the early morning, in Jingzhou City, in a small remote courtyard.

In the open space of the courtyard, a black-clothed woman in her twenties was holding a long sword, performing sword skills one by one, and couldn't help shouting in her mouth: "Suddenly I heard the startling wind, and I ran away from the mountains. I guess it is facing east. , please come home late..."

Directly in front of her, another girl in a blue shirt, about fifteen, was sitting on a wooden chair, holding a brand-new manuscript and reading it carefully. A thoughtful look.

These two people are Qi Fang and Zhao Qing.

Yesterday, after Wan's family left behind the martial arts tournament and the talk about Liancheng's treasure, Zhao Qing took a few pieces of silver tableware from the banquet, used his body skills, and quickly disappeared in front of everyone present with Qi Fang.

Then I spent the silver cakes formed by the tableware being pinched into a ball by Yun Jin, bought a few new clothes for makeup, and rented a remote courtyard in the south of the city, and lived in it temporarily.

Speaking of it, Zhao Qing originally wanted to buy the yard, but underestimated the house price in the Qing Dynasty.It takes nearly 300 taels to buy this courtyard with ordinary decoration and small area.

With only two or thirty taels on hand, she didn't want Qi Fang to buy her own jewelry, and she couldn't turn around and leave to rob the rich and help the poor, so she bought it instead of renting it.

This small courtyard is half a journey away from Wanjia in Jingzhou City, and with the change of attire, there is no need to worry that people like Ling Tuisi will find out here soon.

According to the news she inquired about, Ling Tuisi sent troops to surround the Wanjia soon after she left, and did not withdraw the troops until midnight.

The crippled Wan Gui still stayed in Wan's family, recuperating under the care of servants and servants; several other disciples of Wan Zhenshan had been taken back home by their families.As for Wan Zhenshan's body, it was taken away by the magistrate's yamen for autopsy, perhaps because he thought he could find some clues.

Now, Qi Fang is practicing the "Lying Corpse Swordsmanship" passed down by Qi Changfa to Zhao Qing, and reports the names of each move one by one, such as "My brother shouted, I dare not pass it" and so on.

And what Zhao Qing was reading was "Anthology of Tang Poems", which he had just bought from a bookstore.

While memorizing the verses recorded in it, she observed Qi Fang's swordplay, in fact, in order to know the corresponding verses for each move in Liancheng's swordplay.

In order to deceive others, Qi Changfa deliberately pretended to be an uneducated farmer.For this reason, when he was teaching martial arts to his apprentice daughter, he intentionally taught the Liancheng Swordsmanship to the Lying Corpse Swordsmanship, and changed the beautiful poems into jingles with similar pronunciations.

By consulting the "Anthology of Tang Poetry" and comparing the pronunciation, Zhao Qing gradually restored the real names of each sword move, and realized the artistic conception behind these moves.

Although Zhao Qing's own sword moves can already show the mystery of no move, to the point where there is no trace between moves, but it doesn't mean that she has no room for improvement.

In fact, on the contrary, when she reached this point, she realized that the future of martial arts is vast.

It is only a conceptual realm, it is equivalent to helping to lay the foundation of a high-rise building. The floors on the ground still need to search for materials and build them by themselves.

On this step, the "Heavenly Soldiers Refining Form and Entraining Qi" and "Five Elephants Yin and Yang Transforming God" that Zhu Zhiwuci passed on to her did not have much effect on it.

These two articles talk about the high-speed cultivation method in the strength training stage and the Qi refining stage before the six qi realm, as well as the advanced attack methods involving the yin and yang of the world and the six qi in the later stage. There is almost no description of martial arts moves .

Zhao Qing reasonably speculates that maybe the master wants her to imitate the behavior of her master Shen Shendao who created her own skills back then, and comprehend the mysteries of the realm of martial arts by herself; Teaching about this aspect is imparted.

In short, since he can travel to other worlds through dreams and has plenty of time, Zhao Qing has already made preparations to practice martial arts from all walks of life and master them to improve himself.

In any case, she can also gain new insights and turn them into her own heritage.

The same is to comprehend the realm of no moves, unlike Zhao Qing, Linghu Chong is quite lucky, he only needs to practice one martial art of Dugu Nine Swords, and does not need to learn or practice more.

Because Dugu Nine Swords incorporates all the essentials of martial arts from all schools and schools in the world, it is the best material for building a state of no moves.

The final result of such an extremely talented martial arts master who absorbed the strengths of hundreds of schools is naturally not something that Zhao Qing and Yuangong can match after two years of duel training.She still needs to learn a lot of superior martial arts, and summarize and integrate them one by one, in order to create her own "Zhao Qing Nine Swords".

This is also Zhao Qing's purpose of attracting experts to fight with him when he spread the news about Liancheng's treasure yesterday.

And the first superior move martial art she learned was the "true" Liancheng swordsmanship learned by Wan Zhenshan after she observed and restored it herself.

Liancheng swordsmanship, also known as swordsmanship of Tang poetry, each move is created from a line of Tang poetry, and it matches the artistic conception of the original sentence, it is extremely delicate and wonderful.

Even the weakened version that Mei Niansheng handed down deliberately can be called a top-notch swordsmanship, but after all, the adaptation has been affected, and its power movement method is not so suitable.

In Jin Yong's world, in many cases, advanced martial arts moves have a matching method of inner strength, such as the Eighteen Dragon Subduing Palms, Yiyang Finger, Shaolin 72 stunts in the Tianlong period, etc.

If other schools of internal energy are used to carry out the exercise, it will inevitably be insufficient in the subtleties of strength, and the power will be much worse.Tianlong's small and medium-sized non-phase skills allow other schools of skills to have no form, no trace to be found, and their power does not weaken. This is a very special situation.

Since Mei Niansheng had already noticed that the three disciples' minds were not right, apart from weakening the sword skills, the internal strength passed down naturally did not match the sword skills.

Although Wan Zhenshan was defeated by Zhao Qing's move, it was because his own strength was far inferior, and the move was not combined with internal strength. The Liancheng swordsmanship itself was quite superior, with a unique poetic artistic conception.

For example, "When the lonely Hong comes from the sea, Chi Huang does not dare to look after him." The author uses these two lines of poems to compare his status to being noble, and he does not like to compete with others for power and profit.

After turning into a sword technique, the artistic conception carries an air of elegance and pride while looking forward.

Closing his eyes, and imagining the lines of the poem and the sword move he saw yesterday into his mind, Zhao Qing seemed to see the figure of the poet when he wrote the poem, and the figure who was creating the sword move together.

The two have gradually merged together, clearly distinct, yet indistinguishable from each other.

She suddenly realized something new: How should swordsmanship contain multiple alternating emotions?How should changing emotions cultivate new sword techniques?
Taking a deep breath, Zhao Qing opened his eyes, the pupils were filled with light, exuding a different look.

Sure enough, the artistic conception of other people's moves can indeed bring inspiration to oneself, which is something that one cannot do behind closed doors.

Some are looking forward to the martial arts competition three months later.

The process of learning a new martial arts is like just opening a new game. The mood is joyful, full of curiosity and anticipation. As long as there are some promising points, you can feel the happiness and satisfaction after the harvest.

So, in these six months in the world of Liancheng Jue, how many new martial arts can I gain that can bring inspiration?
……

(End of this chapter)

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