Yusha

Chapter 576 The Miaofa Gao Zhuodao Boy

Chapter 576 The Miaofa Gao Zhuodao Boy (Third Watch!)
In the realm of mystery and metaphysics, there is no form, only the extremely vast talisman and seal patterns that accompany the flow of Tao and Dharma, and the aura that flows and wanders wantonly in the talisman seal patterns.

Accompanied by the different patterns of the talismans and seals, all kinds of auras also appear colorful.

Therefore, there is a clear distinction between the completely different true-shape diagrams.

Furthermore, the interlacing of such a real shape catalog and such a vast number of talisman and seal patterns gradually outlines the outline of Chu Weiyang's body. At first glance, it looks more and more like a solid figure.

However, Chu Weiyang sat in the air for a long time, because there was no sign, so even some signs of vitality disappeared, no breathing, no ups and downs, and no movements. It seemed that he was just sitting there quietly like this, contemplating something for a long time, and then actually contemplated himself as a stone sculpture and clay sculpture.

Only the flow of the colorful spiritual light seems to reflect the vague breathing and ups and downs.

Contemplating like this, after a long time, Chu Weiyang's figure suddenly changed.

The extremely vast aura began to gradually fade away in the metaphysical world of mystery.

At this moment, most of the layers of talismans and seal patterns were dimmed along with the aura.

At the beginning, it was the true shape diagram of the pure lunar thunder method, followed by the pure sword method, and finally, the true shape diagram of "Tao Tong Tu" turned into a bright yellow circle.

All deduction of Taoism stops here abruptly.

The fourth refinement of the true shape map still has a step that needs to be laid, and when it is discussed in detail, this fourth refinement should be under the control of the "Daoheng Map", and the energy and spirit in Chu Weiyang's body Today, when the three volumes of Taoist diagrams are running side by side, this fourth volume of Taoist diagrams should be distinguished from others.

Therefore, for a long time after that, only the three real-shaped diagrams emerged alternately. Many times, the long-lasting photos of the diagrams seemed to be Chu Weiyang studying the Tao and enlightening the Dharma, thinking hard; sometimes, the hole in the true-shaped diagram But the photos only flashed away, like the majestic inspiration constantly splashing out of Chu Weiyang's increasingly ethereal thoughts and thoughts at the moment.

Chu Weiyang had no way of guessing where the ray of majestic luck came from, as if some great monk at least at the Golden Core level swore an oath to get his own luck, it was instructive I can't figure it out, but it's hard to trace such a mysterious power of luck.

What Chu Weiyang can do now is to use the 15 real dragons of yin, six yang and nine to lock that majestic power tightly in the treasure of fortune, and use Langxiao The jade seal is a melting pot of the cauldron, and it is calcined and smelted to completely transform the power of fortune, which has a very strange origin, into Chu Weiyang's background.

And it is this flash that transforms into the foundation.

It is the mutual interweaving of two completely different feelings of blessedness and enlightenment, which taught Chu Weiyang to quickly immerse himself in a certain way of thinking about Taoism and enlightenment.

This kind of blessing brings enlightenment to the soul, which originates from the true form and path, and is bound by the high-level and wonderful methods of "Faxiang Tiandi", and then the majestic inspiration is like a torrent, all heading towards the layered fog behind "Dharma Xiangtiandi" Washed away.

Indistinctly, the even more excellent magic that originally disappeared in the deeper part of the path of "Faxiang Tiandi", which was taught to Chu Weiyang in the past, seemed to be fascinated by Chu Weiyang in this way. Interpreting and comprehending.

In the beginning, regardless of the length of time, the revelation of such a real-form illustration is still uniform and complete. If it is thunder, it will be thunder, and if it is sword, it will be sword.

But suddenly, at a certain moment, it seemed that Chu Weiyang's impatience changed for a while, and something went wrong.

When it was revealed again, the seemingly complete true-shaped drawing turned out to be half of the talisman and seal patterns of Leifa, and half of the talisman and seal patterns of Sword Art, and these talisman and seal patterns are so distinct that people can see them clearly at a glance. .

However, how can lightning be transformed into swordsmanship, and how can sword energy be transformed into thunder?
If only the talisman and seal patterns themselves were all refined by Chu Weiyang, there would be no obstacle at all if you taught him how to put them together, but at this moment, such talisman and seal patterns bear Chu Weiyang's figure, Every breath on it is full of majestic aura flowing.

But since it is impossible to communicate, the flow of spiritual light must be disharmonious.

Therefore, in an instant, accompanied by the violent disorder of the spiritual light, in an instant, the clear and clear picture of the true shape that was pieced together will be fragmented and collapsed.

But now all kinds of talismans and seal patterns reflect Chu Weiyang's body shape, the shattering of the true shape diagram is equivalent to the shattering of Chu Weiyang's body shape, and the extinction of the true shape diagram is equal to the breaking of Chu Weiyang's three elements Crash.

So I had to go to rescue.

In a blink of an eye, in an instant, the bright yellow round wheel hung in the back of Chu Weiyang's head. Except that he did not have the prestige of the Dao fruit of the great monk of the Jindan realm, in fact, from the appearance, it was already the same as the mirror wheel of the Jindan monk. There is no difference.

It's nothing more than that the gilded divine splendor looks brighter, and the bright yellow round wheel looks more simple and unsophisticated.

And at this moment, accompanied by the first cave photo of the "Tao Tong Tu" of the third refinement, all things are controlled by the way of Taoism. In an instant, the time and time seems to be frozen at this moment.

All the broken and destroyed talismans and seal patterns are gone.

The place where the bright yellow round wheel hangs in vain has become the source and cardinal of all the majestic aura.

The so-called control has never been a joke, it is to effectively control the energy. Naturally, the aura condensed by the Taoist method of condensing the energy is also in the category of control.

It doesn't matter if there is no way for the seal patterns to communicate with each other. This bright yellow round wheel and the "Tao Tong Tu" hanging in the circle are the thoroughfare portals for the spiritual lights of all the true shapes to flow through each other!

In an instant, not only the stagnant and dissonant feeling disappeared, but also the real figure catalog of half thunder and half swordsmanship, hanging there like this, with the flow and wandering of the spiritual light, It also showed a perfect scene.

Naturally, the smoothness of this real shape catalog also reflected that Chu Weiyang's figure became stable and smooth.

Therefore, this sudden sudden change, not only did not cause Chu Weiyang to suffer any twists and turns, but instead taught Chu Weiyang to see some mysterious scene with a further insight.

After that, the bright yellow round wheel and the picture of Dao Tong hung in the back of Chu Weiyang's head for a long time. When he looked at it again, the picture of the real shape continued to change in an orderly manner while the light of the circling spirit was on and off. .

The process of studying the Tao and enlightening the Dharma is still going on.

But it is always by chance, seemingly intentionally or unintentionally, there will always be a time when the talisman and seal patterns of thunder and sword are intertwined and pieced together.

Even with such a process, the interlacing of the talisman and seal patterns themselves is no longer as clear as it was at the beginning.

But you have me, I have you.

At first glance, this kind of staggered patchwork itself seems to be Chu Weiyang's frequent mistakes as he became more and more confused, but looking back at the methodical process of comprehension and the details of the interlacing of some talismans and seal patterns here, it is clear that it has already happened. Some deduction and preparation.

And from the beginning to the end, no matter how Chu Weiyang deduces or changes.

As long as the "Tao Tong Tu" and the bright yellow round wheel are still hanging high, and the spiritual light in the seal pattern of the talismans flows, there will always be no stagnation at all.

Finally, this change became more and more profound.At a certain moment, at first, the talisman and seal patterns of the lightning method and the sword method overlapped, and then simply spliced ​​together part of the same lines to form a seal pattern, and then when the aura on the talisman and seal pattern was mixed, suddenly There is no distinction between swordsmanship and lightning method.

When looking at it, it is an unprecedented close connection between the bright yellow round wheel shown in "Tao Tong Tu" and this extremely voluminous real-shaped diagram.

At this moment, there is no first training, second training, and third training.

There is no thunder method, sword method, or Taoist figure.

There is only a pure bright yellow figure that has no distinction between each other.

That is no longer just a pure unification of the two, but a real integration.

And at this moment, with the condensing of Dao Ming's yellow figure, suddenly, in this metaphysical world of mystery, the crazy vitality of heaven and earth seemed to be rioting, pouring madly towards Chu Weiyang's figure go.

But before the accident really happened, all the bright lights disappeared in the same place.

When he looked again, layers of talismans and seal patterns appeared, and Chu Weiyang sat in the air, and it seemed that there was no slight difference from the previous one.

It's just that at this moment, accompanied by the flow of abundant spiritual light, Chu Weiyang's figure like a clay sculpture suddenly had obvious ups and downs.

At first glance, it seemed that Chu Weiyang was breathing heavily.

And with Chu Weiyang's inhalation, there was no change in the metaphysical realm in the surroundings. Instead, there were about three out of four auras all over the body, all of which converged towards Chu Weiyang's throat.

Immediately afterwards, it was clearly the realm of metaphysical mystery, but at this moment, there seemed to be whimpering.

When I looked again, in the same place, it was Chu Weiyang who spit out "Qi".

In an instant, the colorful aura seemed to be like a breeze, and when I looked at it again, all the extremely complicated talismans and seal patterns emerged from the aura.

It is thunder method, it is sword method, it is "Tao Tong Tu".

But when all of these were tightly condensed together like Chu Weiyang's deduction just now, in an instant, they were bathed in the bright yellow radiance, and they were like a solid and condensed figure, sitting in the air like this, facing Chu Weiyang. In front of Weiyang.

It's just that when he looked at it, his figure was much shorter than Chu Weiyang, just like a real Taoist boy.

Therefore, at this moment, there is no thunder technique, no sword technique, let alone Taoist figure.

Only Chu Weiyang has refined the condensed and unified dharma form of the first three, and mastered the Taoist boy who has mastered both swords and swords!
Moreover, with the condensing and revealing of this dharma image in front of Chu Weiyang, almost instantly, while his body was bathed in the bright yellow divine splendor, "Dharma Aspect Heaven and Earth" began to operate on its own. The frequency and scale of it have already reached the limit of the magic method.

The crazily abundant energy of heaven and earth poured towards this Dharma like a savage.

Almost instantly, the power of Dao and fruit in the true form diagram of the three refinements, as well as the magic weapon of the unity of man and body, have all been cultivated in the field of phase body.

Moreover, from the beginning to the end, the practice of the method of "Faxiang Tiandi" did not necessarily hinder his figure.

After all, this is the realm of metaphysics and emptiness, where there is no form, the greatness of the boundless is the smallness of the boundless, in harmony with each other, which is precisely the way of both form and spirit.

And when he looked again, in the same place, where Chu Weiyang was sitting, he could only see the talisman and seal patterns condensed by the five-color spiritual light, outlining the figure of the Taoist.

"Since we already have "Faxiang Tiandi", then it is only logical that the poor Taoist society will use "One Qi to Transform Three Purities"?"

It's just that no one in this mysterious world can respond, and the dharma is only the agglomeration of Taoism, not the incarnation.

Thus, in the long silence, Chu Weiyang seemed to have received some kind of silent acquiescence from the universe.

"Good! Great good!"

(End of this chapter)

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