Being fooled by fierce beasts to travel through the beginning is fleeing famine

When leaving Xiangfei Temple, they took a look with their spiritual senses and found that the young masters did not come this way, but went directly to Liu Yijing. It seemed that they were more curious about that side.

They were originally going there, but since they have gone, they should not go there yet. Wait until those people leave before going. It is inconvenient to do anything if they encounter it. They can't just stand there and wait for others to leave. .

They turned in a direction, and Qingyan remembered that this direction was the location of Langyin Pavilion in later generations. She had taken several photos there at that time, so she remembered it very clearly.

Langyin Pavilion is located on the top of Longya Mountain on the northeast side of Longkou on Junshan Island. It is nestled among green pines and green bamboos. It is said that this place is where Lu Dongbin achieved his ascension after getting drunk at Yueyang Tower. It is one of the oldest buildings on Junshan Island in later generations. one.

Regarding Lu Dongbin, Qingyan has read many legends and stories about him, as well as many film and television works. Many researchers in later generations also believe that he is indeed the person.

Lu Yan, also known as Lu Gan or Yan, had the courtesy name Dongbin, Chunyangzi and Yankezi. He called himself a Hui Taoist and lived by his courtesy name. He was known as Lu Dongbin in the world.

In the Tang Dynasty, he was born in Hezhong Prefecture, Puzhou, Hedong Province, and was a native of Yongle Town, Ruicheng County, Yuncheng City, Shanxi Province today. He was the founder of the Danding Sect of Taoism and the Miaodao Tianzun.

Lu Dongbin was a teacher of Zhong Liquan, and later taught it to Liu Haichan and Wang Chongyang. He was regarded by Quanzhen Taoism as one of the "Five Northern Ancestors" and one of the "Eight Immortals" in folklore.

Folks call him "Emperor Fuyou", "Lü Chunyang", "Master Chunyang", "Benevolent Lord", "Xian Gong", "Lü Zu" and so on.

Lu Dongbin is also one of the "Five Wenchangs" and is often worshiped together with Guan Gong, Zhu Yifuzi, Kuixing and Emperor Wenchang.

It is also said that he was a long-lived Taoist priest from the middle Tang Dynasty to the early Northern Song Dynasty. He was still alive until the Yuan Dynasty. He was the grandson of Lu Wei, the minister of the Ministry of Rites of the Tang Dynasty (it is also said that he was after Lu Shang of Shandong Province).

In fact, the date of his death is unknown, but the year of his birth is recorded in the "Reconstruction of the Chunyang Wanshou Palace Monument" erected in the Yongle Palace of Yongle Town, Ruicheng County, Shanxi Province in the first year of Taiding in the Yuan Dynasty: "Lü Zubayan, named Dongbin, nicknamed Chunyangzi, Xu Zhaoxian was from the northeast area of ​​Yongle Town.

Dezong of the Tang Dynasty was born on April 14, the 12th year of Zhenyuan. "("Lu Chunyang Detao" written by: Born on April 4, the 14th year of Zhenyuan).

About 200 meters east of Yongle Palace, there is a tall tomb. In front of it is a stone tablet engraved in the Yuan Dynasty: "The Tomb of Lu Gongzu in Chunyang of the Tang Dynasty".

It can be seen that if the legend is true, Lu Dongbin should still be alive now, but I don’t know if they could have met by fate.

And since this is the Ninth Cave Paradise, even if there is no entrance to the Dragon Palace, there may still be some other discoveries, so they plan to look for several famous and legendary places.

They didn't realize it before, but when they reached the Jianlang Yin Pavilion, they realized that the spiritual energy here was much richer than elsewhere, almost the same as the windy space before the Water Spirit Pearl.

"This place is called Dragon Palate Mountain. Isn't there a dragon down there?"

Ever since she learned that her parents were dragons in their previous lives, Qingyan is now very sensitive to dragons and will associate them with them whenever she hears the word.

Chou Chou shook his head, "The terrain of Junshan Mountain resembles a dragon lying on the water, with its mouth open to the south. The pincer-shaped mouths on both sides of the Longkou area are protected by rock walls, and resemble the open upper and lower jaws of the dragon. The hills in the middle have become lifelike dragons. Tongue, that’s why this mountain is called this.

I just explored the ground with my spiritual consciousness and found that there is a cave in the heart of the mountain. There is something wrong in it. It may be a barrier. "

Qingyan raised her eyebrows and asked, "Is it right at our feet?"

Chou Chou shook his head, "No, the entrance to the cave is between the cliffs at the southern foot of Longya Mountain, where the cliff carvings are, and in a hidden rock below."

Qingyan visited the cliff carvings in later generations. There are two sides, one large and one small, about four meters apart. They are all cliff carvings. The larger one is in the east. The chisel marks are one meter high and one meter wide. There are straight lines in the middle, left and right. There is one character engraved on each side, which is the knife method of "人". The smaller one is in the west, with a height of 1 meters and a width of meters. There are three characters engraved on the inside, which is a flat-bottomed knife method.

The former was carved before the seventh century AD and is the earliest known stone carving of Siddhant Sanskrit characters in China. The two characters are the most sacred Sanskrit characters.

The two stone carvings are not only witnesses to the prosperity of Buddhism in Junshan and Yueyang in the Tang Dynasty, but also valuable material for studying the spread of Buddhist Tantric Buddhism in the Tang Dynasty.

I don’t know why Buddhists came to a place known as the holy land of Taoism to engrave this. They probably came to grab territory.

Now that we have found some clues, we must take a look.

They did not walk to the path, but went directly through the mountain forest towards that side. Of course, they first went down to the foot of the mountain and passed through the bamboo forest. If they walked from the top, it would be difficult to get down to the stone cliff.

After all, they are quite high. Chou Chou, Jin Yang, and Huang Huang can jump directly without any problem. After all, they are not humans, and they all have cultivation levels. Not only jumping up and down, but also flying over walls and walls, that's no problem.

But Qingyan can't do it. She only has the strength to do it, but she doesn't skimp on her kung fu. It's fine within two meters, but it's a bit vague if it's higher.

Of course, she could also let Jin Yang take her through the space, but since they were already here and not far away, it was completely unnecessary.

It would be even more troublesome if they suddenly disappeared or appeared suddenly and were discovered. The most important thing was that they were here to explore. They were not in a hurry anyway, and it didn't matter if they passed by slowly.

So the four of them started walking through the mountains and forests. They said they were going through the mountains and forests. In fact, the mountain was really not that big, so it didn't take long to walk there, just over half an hour.

This is because it is difficult to walk in the mountains and forests. If we just calculate the distance, it is estimated that we can reach it by jogging in a few steps, and it will not take that long at all.

The entrance to the cave was not far from the cliff carvings. Qingyan and the other three followed Chou Chou as they walked there.

On the way, they tried to use their spiritual consciousness to find the cave entrance according to Chou Chou's guidance, but the location was too secret and they had never found it before.

Looking down from above, it looks like a flat stone. It wasn't until we got closer that we discovered that the entrance was covered by three misplaced stones. If we didn't climb over the three stones, we wouldn't be able to find this entrance like a crack in the stone.

Qingyan's spiritual consciousness is still not as powerful as Chou Chou's spiritual consciousness. It is not as penetrating as its spiritual consciousness, and it is also limited by distance. When it reaches a certain distance and thickness, it cannot be seen.

They peeled away the bushes and weeds in front of the stone and came to the entrance of the cave. The entrance was really narrow. If there weren't any fat among them, they would have to squeeze in sideways. Even so, they had to turn sideways, otherwise they would Dust on the stone.

After entering the gap, their eyes suddenly darkened, especially since the sun was shining brightly before, which made the light inside even more dim, and they could hardly see anything at once.

Qingyan quickly took out a luminous pearl from her storage bag to illuminate it. In a place that seemed to have an enchantment like this, she would usually not use the spirit stone to illuminate it, even if she took it out.

She was afraid that the spiritual energy inside would be absorbed by the formation or barrier, and then go to the supporting formation, making it even harder for them to break through or enter, so using a night pearl or a flashlight was the best choice. It's just that the flashlight's battery has limited power and has been used up before, so the Night Pearl is better, at least it doesn't consume energy.

Chou Chou reached out and took the luminous pearl from Qingyan's hand, held it up and walked in front, Qingyan walked behind it, and Jinyang and Huanghuang walked behind Qingyan.

The four of them walked forward in a row. After walking for more than ten meters, this narrow part suddenly became clear.

This cave is really not small. The high ceiling is at least six or seven meters high. If it is wide, it is at least more than ten meters. If it is long, it is thirty or forty meters. According to visual inspection, it is probably several hundred square meters.

There are many stalactites hanging at various heights on the cave roof, some big and some small, some thick and some thin, and some are still dripping water, causing small puddles below.

There are also many stalagmites on the ground below, with different postures. They are glowing when illuminated by the night pearl, and it really seems like a paradise in the cave.

This cave is naturally formed at first glance. There are no traces of artificial excavation, and it does not appear to have been inhabited by anyone.

Qingyan and others looked at Chou Chou, waiting for it to lead them to continue walking.

"Keep walking ahead, and the stone wall looks normal, but it's actually the place with something strange.

It can't be seen through with the naked eye, but my spiritual consciousness can see through it, which means there is a cover-up there,"

Chou Chou pointed to the stone wall opposite and said to them.

Qingyan and the other three looked in the direction it pointed, and what they saw was an ordinary stone wall. It was no different from the surroundings. It was really hard to tell.

She tried to use her consciousness to probe the stone wall, but she couldn't even detect the strangeness that Chou Chou said. Maybe it was because she had no cultivation, so she couldn't detect the strangeness.

Since you can't tell, you can only follow Chou Chou.

Chou Chou continued to lead the way, and the group of people walked from one end of the cave to the other end. They were about to hit the stone wall in front of them.

Qingyan looked around again, and even stepped on the strange-shaped stalagmites under her feet to see if there was any mechanism.

As a result, we didn't see any sudden appearance of caves or passages. The stone walls were still stone walls, without any change.

She was sure that she had reached the end now, but Chou Chou continued to move forward without stopping. The collision with the stone wall that Qingyan expected did not happen, but she saw Chou Chou in front of her disappear into the stone wall!

As Chou Chou disappeared, their eyes suddenly went dark as they fell behind. It seemed that there really was a barrier or formation there. Even the light of the Night Pearl could be blocked. This formation or formation was quite strong. ah.

Qingyan quickly took out another luminous pearl from her storage bag, and her eyes lit up again. She looked at Jinyang Huanghuang, and then followed Chou Chou's position just now and walked towards the stone wall.

Then, just as they were about to hit the stone wall, the three of them passed through one by one and disappeared into the cave.

The cave returned to darkness again, with only the sound of dripping water on the stalactites remaining.

Qingyan blinked hard to make sure that she had seen correctly and that the scene in front of her had not disappeared, and then she looked at Chou Chou standing beside her.

"Why is there a mural here? Is this the painting of Qin Shihuang?"

Qingyan glanced at the murals for a while and asked Chou Chou.

Chou Chou nodded, "Yes, this should be the reason why there is the seal of the First Emperor here."

I don’t know what kind of paint was used to draw it, but the pattern is clear, the color is still bright, and it will last forever.

The content of the painting is: When Qin Shihuang's southern patrol fleet sailed near Junshan, it suddenly encountered a storm and could not move forward. Qin Shihuang believed that the god of Junshan was causing trouble. He was furious and ordered his three thousand soldiers to cut down Junshan. trees on the ground, and the red soil was exposed to the sun, and then the southern tour ended in a hurry.

The main reason why he was so angry was that in this storm, he lost the national treasure, the national jade seal, and the reason for the loss was also very simple. When Qin Shi Huang was on his southern tour, an altar would be placed on the bow of the ship. There is a wooden box on the altar, and the jade seal of the country is placed in the box.

As a result, the ship tilted due to constant wind and waves, and the box containing the imperial seal fell into the river. That's why Qin Shihuang was so angry that he had to cut down all the trees in Junshan and let the red soil be exposed to the scorching sun.

However, the imperial seal has been lost, so there is no point in continuing the southern tour, so Qin Shihuang could only choose to return.

Although Qin Shihuang cut down all the trees on Junshan Mountain and exposed the red soil on the mountain to the sun at that time, he did not forgive his hatred. In anger, he put a "Sealing Mountain Seal" on Junshan Island, and also used two different seals. The talisman performs "sealing the mountain".

These are the two stone carvings that the locals in Junshan call them: "Seal of the King of Qin".

Qingyan: "In other words, the Imperial Seal was lost here, and Qin Shihuang did not recover it in the end. So does this mountain seal really have the effect of sealing the mountain?"

Chou Chou nodded, "Yes, the kings of the generation all have dragon energy, and the other party still uses Taoist spells, which have a certain effect.

Moreover, this mural was left by Hou Sheng, one of the four alchemists around Qin Shihuang, who was said to have later become an immortal. "

Qingyan knew who Hou Sheng was. After Qin Shihuang became emperor, he strived for immortality and sent Xu Fu, Hou Sheng, Lu Sheng and others to seek the elixir.

Hou Sheng and Lu Sheng were the alchemists around Qin Shihuang. They had been seeking immortals and elixirs for Qin Shihuang for a long time, but they never found them, perhaps because the human emperor was destined not to live forever.

According to the laws of the Qin Dynasty at that time, if they could not ask for the elixir, they would be executed. Therefore, Hou Sheng and Lu Sheng quietly left their hometown.

It seems that Hou Sheng later lived in seclusion here. Because of the unique environment here, he also practiced successfully and became an immortal. This was really unintentional.

The following content about Hou Sheng is the content at the end of the mural. It should be left by Hou Sheng because he was afraid of being forgotten by others. It can be regarded as leaving traces for himself.

In addition to the murals, there is a futon in the middle and a wooden shelf in the corner. There are some bottles and cans on it. It must be because of the barrier. It is very clean and there is no dust.