Digging up my own ancestral grave, the school flower insists that I am a tomb robber

Chapter 444

When the power dissipated, everyone looked like that, and they knew that the one who fell would definitely be a Taoist corpse and definitely not Brother Mu. The worries just now had vanished at this moment.

at this time,

In Chen Mu's mind, the voice of the system sounded,

Ding!
[Congratulations to the host for completing the task. The [-] points have been credited to the account. Please check the host. The three-year cultivation base has been poured in. Add two points to the physical strength and two points to the mental strength. One of the nine-character secrets will be rewarded to upgrade to the peak Realm, reward the former word secret, one of the nine-character secrets! 】

At the moment when the system sound fell, I felt the improvement of Bing Zi Mi,

Chen Mu was pleasantly surprised in his heart, and his realm was also raised to the late stage of the Heavenly Human Realm, and that extremely thin layer was easily broken through.

Then there is the former word secret, one of the nine-character mysteries. The former should realize the meaning of reincarnation of heaven and earth in its original place.
The reincarnation of the earth goes round and round. When you experience the meaning of the Tao and the original meaning of the Tao in a place of meditation, you can not be confused by what you get, not by what you have achieved.
The sky and the earth will not fall, and the world will not be lost.

The former is to advance, not to think, not to be ignorant, not to be confused, to follow the heaven and the earth to play all things, and to get the way without retreating from the original source.

Whether it is extremely peaceful or not, when you are free, you must always be quiet to understand the principles of Taoism with your primordial spirit, so that you do not lose the mean.

After comprehending the secret of the former word, Chen Mu's cultivation base soared again, and his realm was completely stabilized, but he was still a little far from the peak of the Heavenly Human Realm.

However, with this small level of improvement, the battle has been greatly improved,

It would be relatively easier to face Zhang Qizong in the current state.

After Chen Mu came back to his senses, he directly removed the coffin to reveal the passage leading to the tomb.
The tomb passage is deep and somewhat dark, but it is not dangerous.
At the end of the tomb passage, there is a tomb room. The heavy stone door is opened, and the tomb room is extremely wide. There is no coffin, but it is filled with porcelain.

Looking at the dazzling array of porcelain, Ye Wen became excited again, "There are mostly Song Dynasty porcelain here! It's really exquisite!"

"Speaking of which, Song Dynasty porcelain is very famous in history. It looks good, but I really don't know how to appreciate it!" Ting Chan said at this time.

Ye Jin pursed her lips, and continued, "Song Dynasty porcelain can be seen from the glaze, and the porcelain bodies of the Northern Song Dynasty kilns are mainly gray or light gray, but the glaze colors have their own merits.

For example, the Jun Kiln glaze is called begonia red and rose purple, bright as the sunset, and infinitely changing like flowing clouds and flowing water. The Ru Kiln glaze is subtle and moist, and piles up like fat. crystalline glaze.

The base quality of the southern kilns is mostly white or light gray.
The celadon of Longquan Kiln is emerald green and bright like plum green; the celadon of Ge Kiln has broken lines on the glaze surface, like a net of silk, which is a unique beauty of defects.
There are also Ding kiln porcelains, whose patterns are neat, and the rigorous and clear printing is amazing.
Yaozhou kiln porcelain, its sharp and unrestrained carvings give people the beauty of flowing rhythm.Pursuing the beauty of glaze color and enamel quality, Song people reached a new aesthetic realm in porcelain making technology.

Porcelain of the Song Dynasty, with its simplicity, profoundness, elegance and simplicity, and at the same time various poses and different styles, has erected a monument admired by the world for the working people of China in the history of the world's craft development.

It breaks through the situation of southern green and northern white, with a wide range of categories and various types of utensils.The most popular are Meiping, Yuhuchun and so on.

The glaze color is beautiful, elegant and subtle, noble and simple, with a jade-like effect, mainly monochrome porcelain.It embodies the beauty of simplicity and elegance advocated by Confucian culture, and has an obvious embodiment of national spirit.

Decoration methods include printing, painting, engraving, picking, decals, engraving, etc. The patterns are mainly flowers, birds, insects, fish, etc., and the shapes, colors, and patterns pursue integrity, artistic conception, and charm.

From the perspective of modeling, the shape of Song porcelain is more colorful than that of the previous generation.
It almost includes most of the people's daily utensils: bowls, plates, pots, cans, boxes, stoves, pillows, inkstones and water injections, etc. Among them, the most common one is the jade pot and spring vase.

Generally speaking, most of the shapes of folk porcelain are generous and simple, economical and durable, while palace porcelain is dignified, elegant, graceful and luxurious.

The tribute porcelains made by Ge, Guan, Jun, Ru and Ding kilns can best reflect the royal style, and the folk porcelains made by Cizhou and Yaozhou kilns can best reflect the joy of the people.

In terms of decoration, Song porcelain's decoration themes are extremely rich and unique.Under normal circumstances, dragons, phoenixes, deer, cranes, swimming fish, flowers and birds, baby plays, landscape scenery, etc. are often used as the main decoration and appear prominently on the prominent parts of various vessel shapes.
The back pattern, curly branch and leaf pattern, cloud head pattern, money pattern, lotus petal pattern, etc. are mostly used as side decorations to assist the theme decoration.

The craftsmen use different techniques such as engraving, scratching, picking, painting and sculpture to skillfully combine the expression of the pattern with the size of the carcass, forming a unified whole of aesthetics and practicality, which is hard to put down.

Such as the baby play pattern, or in the heart of the bowl, or in the belly of the bottle, put the tender skin and lively boys among the flowers, one or two, or in groups of three or four, climbing trees and folding flowers, chasing and playing, it is really moving , the breath of life is very strong. "

When the voice fell, Ye Wen nodded appreciatively, while Ting Chan said weakly, "Sister-in-law, although you have said a lot and are professional, I didn't understand a single word, this... is somewhat embarrassing! "

Ye Jin, "..."

at this time,

Chen Xiaoxiao said, "Porcelain from the Song Dynasty, that is to say, in the Song Dynasty, the Queen Mother of the West was still walking in the world!"

Everyone also reacted, from ancient times to the Song Dynasty, good guy!this……!
In the live room,

"Is the Queen Mother of the West really immortal?Is this... really possible? 』

『Ever since watching Brother Mu, I feel that nothing is impossible. 』

"plus one!I feel that the Queen Mother of the West might still be alive now! 』

"If it is true, there must be a way to live forever in the tomb of the Queen Mother of the West, and we can learn it for a while!" 』

"Dude!Although I don't know if you are beautiful or not, but you think you are beautiful, even if you are, can you let us see it? 』

"It's not that bad, it's so funny!" 』

"..."

……

at this time,

in the tomb,

Ye Jin noticed the writing on the wall of the tomb, and saw that it was written like this,
[Those who quit at this point can take a piece of porcelain and leave alive, if they insist on going ahead, they will die! 】

"Brother Mu, come and see!"

Following Ye Jin's shout, Chen Mu and others naturally saw the words above.

For this,

Chen Mu didn't care, why did he come?This word does not seem to persuade people to leave, but it is more like words that make people move on and lure their hearts.

As for the rest, some people can't help being afraid, but they are very clear why they came, and they must keep going.

Everyone ignored this sentence, and Ye Wen asked everyone in the archaeological team to install all the porcelain that could be installed.

Subsequently,

Turning the mechanism, the wall on which the writing was written slowly rose, and Chen Mu was still in front, and everyone left the tomb.

(End of this chapter)