I really can't act

Chapter 293 National Teacher and Fang Yi's Youth
10 years will be a special year.Outside, "Avatar" gave domestic films an epic defeat at the beginning of the year. Inside, the filmmakers headed by China Film Group launched a movement to save the country and save the country.Domestic films are like a spring pushed to its limit:

In the end is it very happy, or is it just a flashback.People in the present are not clear, even the Daoist feels at a loss.

From the success of a series of young directors such as Ning Hao, Lu Chuan, and Fang Yi, Han Sanping, the trader of China Film Group, has keenly noticed that today's audiences are calling for new types of films and new screen representatives.

So, who will be the standard bearer?
Feng Dapao thought he could be the representative. "Great Earthquake" has a box office of 6.5 million, and "If You Are the One 2" released at the end of the year is expected to be more than 3 million. With two films in hand, he is equivalent to two-thirds of Cameron. He feels that this is not his peak, but everything. just started.

"I won six of the box office champions in 12 years."

Chen Kaige also thinks he can be the representative.He has established monuments in both awards and box office, and he has no shortcomings for the time being. Although "The Promise" can be called a bad Chinese film that has been recorded in history, Director Chen does not feel that he is out of breath, and 10 years will be the return of the king:
""The Promise" has suffered organized and premeditated bad reviews; it will take at least five years for Chinese audiences to understand my film."

Jiang Wen didn't think he could be a representative, but he wanted to "stand still and make money". "This time, we must never let the investors down again." "My film has brother Fa."

Zhang Yimou, a truly world-class director in China, has temporarily disappeared. A new film "The Love of the Hawthorn Tree" by Guoshi will be released in August. So far, Guoshi seldom promotes his films in public.

Don't talk too much.

The last issue of "China Film Report" at the end of July is a re-interview with Fang Yi and Liu Tianxian, and the next issue is "Talking about Youth" by the National Teacher.

He was very interested in telling the host Tu Jingwei about his idea:
"The love in our era is not as strong as it is now. For example, there is a scene where a man and a woman are mainly crossing a river. The man is leading the woman - but they are not holding hands, but using a branch like this. Take it... This is the youth of our era, very young, but also very beautiful."

"Have you considered other actors? At that time, it was Fang Yi. His body and appearance are very suitable... But Fang Yi has no schedule, so I didn't try to force him... I was so upset that I decided to adopt all of them." The newcomer is ready."

"Box office forecast? Sorry, I don't make box office forecasts, as long as the audience doesn't scold me."

Send away the crew of "China Film Report".

Guoshi saw Zhang Weiping, his film investor and best friend in his career.

Zhang Weiping has a big mouth, offends people, and is good at hype. He is a thorough businessman. His relationship with the national teacher is similar to that of the real sister to Fang Yi. Their personalities and careers complement each other.

Zhang Weiping smacked his mouth and said to the national teacher:
"This is the first time Fang Yi has been mentioned. When we decided to make a film before, people around us kept mentioning Fang Yi, but it stopped... Now that his self-written, directed and acted film is about to be released, it's a mess. A lot of money was spent on publicity, and people began to mention Fang Yi again."

The National Teacher spread his hands, "News reporting is the freedom of people, why don't people report it?"

Zhang Weiping sat next to the national teacher, and suddenly said: "It is true that it might be better to use Fang Yi at that time. People everywhere say that he is not talking nonsense... Just like Zhou Jielun in "Golden Armor", a conspiracy... ...If you want to get [-]-[-] million, you are enough, if you want to get [-]-[-] million, then you should use Zhou Jielun, it turns out that I did not cheat you."

Zhang Yimou didn't take it seriously, stared at Zhang Weiping, and said half-jokingly and half-seriously: "The things about the movie belong to me, and the things outside the movie belong to you."

Zhang Weiping frightened: "Yimou, it's been a year, and you're still angry with me?"

The national teacher: "Don't make such a hype in the future, I will be the one who insulted you in the end."

He resented: "I said at the beginning that "Three Guns" is an experimental film, not a blockbuster visual effects film. But you told people that I want to get [-] million at the box office. It's all icing on the cake...it's too offensive, so stop it quickly. "The Hawthorn" must not be promoted like this again, it's too late."

Zhang Weiping played the emotional card: "But I want to make money, I want to maintain normal operations, and don't release some big words. Who knows about our movies? Now it is getting more and more difficult to make publicity. It has to be real money. The young man's The film is very willing to market..."

Speaking of this, Zhang Weiping was stunned for a while, not knowing what he was thinking, he suddenly smiled at the national teacher, turned his head and ran away.

Until he caught up with the column team of "China Film Report", those people looked at him strangely.

He said: "Yimou's film is also a 'youth film', it is a youth film of their generation, and the script is also taken from a famous artist, such as Fang Yi's remake and transformation. I don't know what's better. 'Youth' can't be made by children. , They can't grasp it, they haven't been weaned yet, they don't have experience, what's the 'youth'!"

"China Film Report" has become accustomed to Zhang Weiping's big words, and after taking notes with audio recordings, he declared that he would appropriately add them to the broadcast program.

Zhang Weiping warned: "Don't be afraid of offending people, it's best to post it without changing a single word!"

When the taillights of the entire film crew were no longer visible, he remained in a daze. After returning, he and Zhang Yimou continued to call each other brothers.Zhang Yimou asked him, "What did you do just now?"

"I did some publicity work."

"Oh, it's up to you to do it. Be careful not to overdo it, and promote it according to what kind of film it is."

"I know, Yimou, you have to keep a low profile."

------

Fang Yi continued to promote his film "Love Letter".After going on for a month, the iron man Fang Yi finally got tired, but China Film just announced that it has sold "Love Letter" to more than 30 countries and regions, and it regards this as a model for exporting modern urban films overseas, hoping to serve as an example for other films .

The "Lianbo" program is obviously very optimistic about the "Love Letter" that promotes contemporary China, and Han Sanping was overjoyed when he mentioned it in the representative project of the "going out" cultural strategy.

Fang Yi was invited to the World Expo as a star volunteer for a day.He is the only young man with this honor.

Under the high expectations of Shangfeng, Fang Yi was a little bit hard to get off, so he had to continue to work hard on publicity.Because there were too many announcements to run, Fang Yi and Liu Tianxian were separated and each shared some publicity tasks.

For smaller audiences, such as the radio programs in Yu Province, "Healthy Life" and other media, let Jin Dong, Bai Yu and others make guest appearances,

Liu Tianxian gave full play to her skills in interviewing OCD, and appeared on various TV talk shows.Fang Yi frantically published magazines to make up for the lack of print media.

In the September issue of "Fashion Basha", Fang Yi met Chen Kaige and Chen Hong.

　In fact, at present, costume dramas and puppet dramas (especially rotten dramas) are still the main exports.But the latter embarrassed Shangfeng a bit. He didn't think it was a glorious thing, and he rarely mentioned it.

　　
　
(End of this chapter)