I really can't act

Chapter 256 Released All over Asia?
In 95, Shunji Iwai photographed the novel he wrote and named it "Love Letter".This movie deeply reflects the so-called "sorrow of things" spirit of the Orientals. The hero died at the beginning, and the love letter was a love letter sent from heaven.

In the year it was released, it won the second place in the love category in Toyo.

The first is "Listen to the Ear", an animation, an old oriental practice.

The original novel of "Love Letter", I don't know if it is a translation problem, the translator added a lot of drama, and the words overshadowed the story. From the perspective of Chinese people, I am afraid it is not a first-rate romance book, it just has a few This scene is very cleverly designed.

But Shunji Iwai, who is the director, is a genius for taking pictures of beautiful scenery. He captured the beauty of Otaru, a small city in the East, so that when people who watched the film mention Japan, elements such as heavy snow, bicycles, and first love will appear in their minds. .

People in the East may not have imagined that in the mainland, the film "Love Letter" is so popular, and even exaggeratedly said, "Can China produce a male star like Bai Chongyuan?".

"He is a beautiful boy at the end of the century."

Is this really the case?
Those who have met Fang Yi can swear that this is definitely not the case.

This film tells the story of Hiroko who found the graduation photo album of his dead fiancé Fujii when he was sorting out the belongings of his dead fiancé Fujii. In his thoughts, he sent an impossible letter to express his thoughts.

When the letter was sent to the small city where the fiancé used to be, he actually received a reply with the same name as his husband: Fujii tree, and this was actually a girl with the same name.

Therefore, Hiroko continued to communicate, and at the same time went to the place where his fiancé lived before to find out.

The movie began to turn to the memory plot, the dead male lead Fujii tree, and the life that the two of them regretted to miss with the female Fujii tree also slowly unfolded before the audience...

——The movie has a very high score in Douban, but if it is really released in China, it will be difficult to get a satisfactory box office.

One is that the country cannot accept the thinking of the Orientals on the impermanence of "life and death", which makes the death plots that come everywhere in the movie a little deliberate;
The other is that Hiroko and female Fujii look exactly the same, but they are two different people, living in two timelines.Shunji Iwai likes to use this setting very much. In his other novel, the sisters are exactly the same, and the plot is repeated nesting dolls.

However, it is not very good to play like this in China, making it difficult to tell who is who.

In addition, some Orientals don't think so, but in the eyes of mainland audiences, the NTR plot that is strongly persuaded to quit must naturally be deleted.

There is also extra free time for the male and female protagonists, the homelessness of the unemployed, and the occupational setting—wait, such a change, it is really beyond recognition.

Even if Shunji Iwai went out in person to copy the story to the domestic release, I'm afraid he would hit the street. (ps: It's true that Zhou and Qin failed in casting.)
——After taking office, the new commander-in-chief of Dongyang has frequently expressed goodwill towards the country. On TV, news of the East Asian Free Trade Zone can be heard almost every day.

The cultural circles, as pawns, should undertake the task of promoting the relationship between the two peoples.During this period, a series of anime and manga dramas were allowed to be broadcast on the stars.

It is also indecent to come and not to go, the mainland also has to come up with something.

In the 80s, during the honeymoon between China and the United States, the domestic film and television industry and the Western camp had frequent exchanges, and both sides had the need to promote each other.Under the generous promise of Shangfeng, a series of film and television works from the West and the East have been introduced into China, such as "The Man from the Atlantic Ocean", "Blood Doubt", "Volleyball Girl" and so on.

This may be the generation that, apart from textbooks, is exposed to non-stereotyped foreigners for the first time.The newspaper shouted, "We must learn from the spirit of the Toyo women's volleyball team."

Domestically, the green light is given to filming crews in China. When "The Last Emperor" was filmed, the real Forbidden City was used, and real antiques were used.

At the same time, the 80s was also the peak period for domestic literary and artistic films to win awards, which naturally has political factors fueling the flames.

Regrettably, in terms of commercial films at that time, the gap between domestic and foreign film and television production levels was too large, and there were no works that could be exported in reverse.

The third master of China Film Group once again asked Fang Yi to talk in his office.

"The copyright of the movie has been bought back, and it can be released in China and Japan at the same time. There is no obstacle for both parties... You thought so far, romance movies don't involve politics, so naturally both parties agree."

He continued, "Speaking of which, Hollywood was like this at the beginning. Hero movies, romance movies... are all upright, and they are all human beings' common orientation."

"But gradually, American life and values ​​have been exported to us. White people are big heroes, Chinese are obscene, or gangsters, or villains of nerds... I started to cultivate this kind of subconsciousness, and so many people read it, like a textbook. From a young age, it is really tormented endlessly."

"We have to import [-] Hollywood films a year. I really don't want to import so many, but without imports, domestic commercial films will not be forced to develop."

He stroked his big shiny head, sighed and shook his head, and finally said:

"Last time I said, if you have difficulty finding an actor, report it to me, and I will help you find a solution... Now if you have any difficulties, report it to me. I heard that you have prepared 2000 million yuan. Is it enough? Not enough for me Dial again."

"It should be enough."

"I shouldn't."

"enough."

The third master thought for a while, "Don't put the name of your studio on your film, but put the name of China Film, so as not to make things difficult for the kid, and someone will come to make things difficult for you when you leave the capital... I still have to show an old face, I will be a Producer, I don't know if you want to."

"I'm simply flattered."

"Okay, then what, Xiao Jiao?"

Third Master's Secretary Jiao appeared in front of the two of them without a sound. He pushed open the door, "Director Fang, I'll see you off."

------

"A 4000 million-cost romance movie?"

"Is it going to be exported to Japan? Show it all over Asia?"

"The leading role is... me! Just! Know! Know!"

"Snapped!"

Newspapers slapped on the table.

However, I was reluctant to spread it out and read it again.

Early in the morning, Liu Mi bought a newspaper from a tea shop nearby, but she didn't expect that there was someone she knew very well.

Manager Zeng Jia sat across from her, watching her patiently remove the meat from the buns, leaving only the vegetables with a bit of meat oil, she stuffed them into her mouth contentedly.

Drum up the entire cheek.

"water!"

Zeng Jia pushed a bowl of milk tea.

Liu Mi choked, rolled her eyes, but shook her head desperately, pointing to the teapot.

Zeng Jia quickly served a bowl of white boiled rice.

She snatched it over and swallowed a few mouthfuls, "Ah, I'm alive."

"Mimi, drink a little sugar water, it's not a big problem, it won't make you fat."

"No, I am determined to be strict with myself."

"However, if you continue to be so self-disciplined, it will affect your menstrual period and hurt your body."

"I don't want to have kids right now."

"Indulge once in a while and no one will know."

Liu Mi was persuaded, she used a small spoon to roll over it, brushing away the high-calorie dried fruit, this process made her sober, and pushed the milk tea back to Zeng Jia, "No, I know. "

"Fang Yi won't know either."

"Don't mention that person now. We have already agreed. I plan to forget him for a while and concentrate on my own business."

So Zeng Jia stopped talking, and after the two had finished their morning tea, she drove Liu Mi to the set to report—it was not the turn of the so-called single-heroine movie, but other Hong Kong movies. Be a vase girl.

In the car, Zeng Jia found Liu Mi with her head down.

"Wake up in the morning."

"I'm reading the newspaper."

　Dian Niang once had a Chinese entertainment novel, which fictionalized a film industry in the 80s, whose commercial film standards kept up with or even surpassed that of the West. Under the background of the honeymoon, it successfully exported the film to foreign countries. Unfortunately, the novel was not written later. .

　　
　
(End of this chapter)