I really can't act

Chapter 191 Kneeling down on one knee

Chapter 191 Kneeling down on one knee
Does love have an afterlife?
Love obviously has no afterlife.A personal miss is a miss, irreparable.

However, if you broaden the scope and put it on the ethnic group, love can have an afterlife.It doesn't necessarily happen to Xiaoyu and the monk, it can happen to other people.

The movie doesn't make this clear, and many viewers may think it's a purely tragic movie, but Jiang Wen can think more than the plot.

From the very beginning, the reason why Xiaoyu's friends only visit her once a week has already been explained.

Because Xiaoyu doesn't like men, but her friend got married early and has a family to take care of.

During the chat between Xiaoyu and her friend, the camera specially showed a close-up of the wedding photo handed by her friend, which was wearing a wedding photo of different ethnic costumes.In other words, such tragedies no longer happen.What was in the previous life also goes with the previous life.

What Jiang Wen saw was the theatrical version, and the film has ended here.The camera stared at the rising sun, getting closer and closer, until the screen was completely white, and subtitles began to appear.

If it is Yu Feihong's director's cut version, there will be a stream of consciousness scene at the end.That is to say, Xiaoyu is galloping on the grassland on a horse. When she finds the monk, she stops and pulls him on the horse. The two disappear into the picture together and go to the ends of the earth.

This kind of stream-of-consciousness shot is more for people in the industry, because you know what you are expressing, and it is also a place for actors to play.

Someone will ask:

The monk is already dead, why did he meet Xiaoyu riding a horse again?
In fact, these two are the incarnations of their respective ethnic groups. It is an imagery expression. Now the two ethnic groups can intermarry and fall in love freely.Because in the movie, at the beginning, the monk stole Xiaoyu from his previous life, so the filming was reversed at the end.

In the last scene of "Certificate of Fame", Takeshi Kaneshiro had a few minutes of Ling Chi scene. At that time, he spent a lot of money on muscle special effects costumes, but the director was determined to cut nothing left.

It's not because it shouldn't be filmed, nor is it because Takeshi Kaneshiro acted well, it's purely because it broke the rhythm of the story.

The aesthetic level of audiences who come to the cinema is quite different. They may not have noticed the azaleas mentioned above, the well-designed dialogues, etc., but they just purely felt a love story that seems to be tragic for some reason.

What ethnic group, the changes of the times, and the hope at the end of the film, all of which were not noticed.

You give him a stream-of-consciousness ending and they're like, "Huh?" Is the movie a bug?

The same is true for the representative work of the chairman of the judges of the Tokyo Film Festival, "Babel Tower". It talks about the incomprehension between people. race.

Even if the individual is working hard, the reality is like a moat.

The foreigner also gave a hopeful ending at the end, and he gave it much more straightforwardly than Yu Feihong.

It means that the heroine takes off her clothes and treats each other physically and psychologically honestly-East Asian culture cannot do this, it must be reserved.

The headlights of the theater were turned on, and many people were already in tears.The lovers cherish each other even more after watching the abuse movie, and now they hug each other for comfort.

Jiang Wen shook his legs, his whole back was sore from being straightened unexpectedly for a long time, but he still insisted on standing up and facing Fang Yi.

Because what he saw was not just a little bit of love, but also a deeper meaning to express. Of course, this film is far from convincing him, but it is worthy of his clapping.

As a Tanabata love movie, it is commendable to have ideas other than love.

The conditioned reflexes in the front row followed suit, like a chain reaction, and the applause immediately spread throughout the theater. This process sounds slow, but it actually took less than ten seconds.

Under such applause, the main creators also had to come on stage ahead of time. Yu Feihong was very nervous. Someone brought her a bouquet of flowers. The host asked Yu Feihong to give a speech. As a result, Yu Feihong choked up a few times and asked Fang Yi to speak.

Fang Yi took the microphone: "I hope that lovers in the world will eventually get married, don't wait for the afterlife."

It was a very flattering speech, and the applause from below was even stronger.

"Also, a good movie needs to be supported by reality. If you have the conditions, you can share it with your friends..."

Many people below answered his words, and they could vaguely hear the affirmative meaning. Fang Yi nodded, seeing that Yu Feihong was in better condition, and returned the microphone to her.

Yu Nailai said, "Ten years ago..."

She shared her long ten-year filming journey. The media were unwilling to listen to her before, but now many people are remembering it.

While Yu Feihong was talking, all the leading actors got flowers. I don't know if they really have fans, or it is the arrangement of the theater.

The last part is the co-production session. Xingmei Studios will update its movie wall every once in a while. There are many photos of movie crews on it. They hang up their photos for the test.

"Fang Yi?"

Liu Tianxian buried his head in the flowers to smell it, then raised his head and said only one word, "Fragrant!"

Fang Yi was amused, thinking that she was starting to age inexplicably.

Seeing Fang Yi's smile, Liu Tianxian didn't know which muscle was wrong, and suddenly knelt down on one knee and offered the flowers to Fang Yi. Fang Yi was startled, and subconsciously took it.

Then Jiao Enjun and others who reacted quickly brought flowers to Fang Yi until he couldn't hold them anymore.

A storm disappeared.

This evening, in addition to Xingmei, I have to go to another theater to promote it-the road show is probably like this, going to Beijing, Shanghai, Guangzhou and Shenzhen is a must, and there are more than one places in a city.

In the first few years of the new century, it is not an exaggeration to say that the four major cities contributed half of the box office.

If the film sells exceptionally well, or is quite attractive in certain regions, such as Hong Kong films in Guangdong Province, the crew will also choose several other economically developed cities to promote in the local area.

The theater has another way for the crew, so as not to be blocked by fans and unable to get out of the door, this way is relatively deserted, only the theater staff.

Liu Tianxian followed Fang Yi, grabbed the corner of his clothes, and made Fang Yi turn his head. She pointed to her eyes.

"what happened?"

"Look."

"There's not enough light, I can't see clearly."

Fang Yi didn't see clearly until he got into the commercial vehicle. Before he closed the door, Liu Tianxian excitedly squeezed in, and when he got in, he found that they were all from Fang Yi's team. She and Fang Yi were more comfortable together. See you now Seeing a stranger, I'm embarrassed again.

So he didn't speak, but pointed to his eyes.

Fang Yi mouthed: "Are you crying?"

Liu nodded quickly like pounding garlic.

While nodding, her tears were thrown out, and she scratched with her fingertips very disappointingly.

"Is the movie so sad? Don't you know the plot?"

Liu Tianxian shook his head again, and poked him with one finger, "You, because of you."

(End of this chapter)

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