Actually I just want to act

Chapter 1438 Comedy talent

Fang Jiming is still that Fang Jiming!

Many people are feeling that in terms of comedy, it really depends on talent.

Some comedies are hilarious but fall flat.

But Fang Jiming's comedies feel natural, not funny for the sake of being funny at all.Sometimes it is obvious that Fang Jiming puts his heart and effort into the performance, but the audience misunderstands it as a joke.This is exactly the same as Zhou Xingchi's experience, so that Zhou Xingchi said sadly in an interview, do you really think that I am filming a comedy?

Yes, very sad.

Obviously Zhou Xingchi's movies are all tragedies, but they are regarded as comedies.No wonder many comedians end up suffering from depression, this is not understood!
Of course, my own tragedy is a comedy in the eyes of others. This is an undeniable truth.

In fact, many of Zhou Xingchi's movies can be interpreted in this way: in "The King of Destruction", the takeaway boy He Jinyin has actually been beaten stupid, and the following things are all imagined by him. In "Wu Zhuangyuan Su Qier", Su Can was reduced from Wu Zhuangyuan to a beggar, and it may be just a dream Su Can had when he was dying. "Tang Bohu Spots Autumn Fragrance" hints very vaguely, because according to history, when King Ning of the Ming Dynasty rebelled, Tang Bohu had already lost his fame because of the fraud in the imperial court, and even his Taohuawu was bought with money from famous brothels, so The story of "Tang Bohu Spots Autumn Fragrance" is Tang Bohu's fantasy after he was drunk. In fact, Tang Bohu has been so downcast that he can only pretend to be crazy and foolish to escape from King Ning...

Except for the obvious storylines of "The Deer and Ding Tale", "Fight Back to School", and "The Tricky Expert", which are movies that make the audience feel good after watching, Stephen Chow's other movies are very meaningful.

No, just after the noon show ended, some film critics wrote reviews on Praise.com.

Among them, a well-known film critic wrote: "...the scene that impressed me the most was the part where the house was raided. Half of the wealth and wealth disappeared in a blink of an eye, 'I think you have to learn to write seriously', the master looked at him. He sighed secretly with a calm expression. After he finished speaking, he paused and looked over. This old lazy young master was still reclined on the chair and closed his eyes to doze off. Just when the audience thought they were leaving just like the master, a deep and slow sentence "I'll learn" is a serious expression on the face.

In the next second, he continued to sing the unfinished Nanyin'...the vicissitudes of life, the mandarin ducks buckle...easy knots are not easy to untie, bitter lovesickness...regret what should have been caused...'

Long, a little bleak.

From the beginning to the end, Fang Jiming only had one line, and even the time with his eyes open was counted in seconds, but I couldn't find a more perfect loneliness and emptiness than this.

It never occurred to me that he actually expressed his loneliness by singing Nanyin.I was stunned. It turned out that the most lonely thing was not beating my heart and lungs, or crying... He still sang, and Nanyin was a little shrill... He was singing, I was watching, and I thought I saw a talented actor.He really is the best.

Liang Qifeng and Fang Jiming have collaborated in many films, but this one is my favorite.Liang Qifeng played the role of Fang Jiming's father in this movie. The two pampered and spoiled people were reduced to competing with beggars for food.Originally wanted to perform as a performer to survive, but was ridiculed and beaten by the passing prince's lackeys.

The old father walked all the way with his seriously injured son on his back, and the blood just dripped all the way, stained red.The father and son lived in a dilapidated temple with a group of beggars.In order to heal his son's injuries, the general went to beg on the street.

In winter, the old father fell ill, and Su Qier completely let go of the so-called self-esteem she no longer used and took to the streets.Passing by a steamed stuffed bun shop, people would rather stuff the food into the child's mouth quickly than glance at this dirty beggar.

Su Qier finally went to the street to beg for food for his father, he was so proud, he closed his eyes and gritted his teeth, "have pity on me, this little beggar"... He got alms from a kind-hearted family. Cream girl.Her younger sister recognized Su Qier.

'It's you? '

"Sister, it's him"

The most heartbreaking thing is the following sentence:
'Not him, not him. '

He buried his head deeply in the pile of broken charcoal.

At first glance, I wanted to laugh, but then I couldn't help but want to cry.Is this a comedy?Nothing less than tragedy.

What's more, Fang Jiming and Liang Qifeng didn't treat the originally miserable plot as bitter and bitter. On the contrary, there were jokes embellished from the beginning to the end.The interpretation of the two is also more controlled, so that the emotions will not be released too much and appear vulgar and out of place.Who said comedians like them have no acting skills?You can really buy a piece of tofu and hit it.Really, every time there is an award, there is no Fang Jiming's share, isn't it really discriminating against comedians? "

In fact, the film critic didn't know that it was Fang Jiming who gave up the domestic award-winning path, and even the actors who acted in his films, and even the films of Oriental DreamWorks, would not be able to win awards.

There is no way, the Golden Rooster Award can no longer accommodate Xia Zhiming, his company, and the movies he invested in.

Some film critics wrote: "...the family part of this film is remarkable, and it also has both love and irony, and furthermore, there is a hint of philosophy and anti-hero. This is all through Su Can the main character to complete.

Su Can may seem simple, but he is actually quite a complex character.His complexity does not lie in the torture of external forces, but in the inner reshaping and pursuit.He has always had a considerable degree of insight into world affairs, but in the young master stage, he showed more laxity, status, pride and other restraints on him.In the middle and late stages, he was down and down, his self-esteem was trampled under his feet because of survival, and he began to not know what he really cared and wanted.

Until a conversation with the old beggar, it seemed that he had an epiphany.

Is there any difference between being a beggar and being a nobleman?If beggars survive without worries, why do we still despise them?

This is a philosophical proposition.The film skimps on this point.

So you see, even after becoming the head of the beggar gang, his eyes are very different from the early days, and there are very precipitated things.The role of Su Can is constantly growing.

Many of Fang Jiming's characters are in a counterattack state, and the unknown junior has achieved a certain kind of transcendence through some adventures, but this film is just the opposite.In the film, when Su Can was forced by his father to practice the "dog-beating stick method" and locked in the cave, when Su Can and his father ate "shredded pork rice" together, it was so moving.

Some father images in some movies are too strict, too stubborn, too brave, too illusory, and too plain... and "Wu Zhuangyuan Su Qi" In "Son", Su Can's father is a humorous, flexible, open-minded father; he never pretends to be deep, puts on airs, and bosses around.After going from rich to poor, enduring humiliation and making a comeback, the film is full of twists and turns, mixed with sorrow and joy, tears in the smile, and deeply touching.The love between father and son is performed as wonderfully as the comedy itself, and the supporting role of the father is not inferior to Su Can's performance..."

(End of this chapter)